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BETWEEN RECOGNITION AND MEANING..

We often underestimate how much meaning a sound can carry before we even begin to interpret it. Certain sounds are inseparable from memory, geography, ritual, and cultural experience; others acquire new meanings...

I Know What Happens When You Die But I Choose Not To Tell Anybody by Destructo Disk

Destructo Disk has been a fixture of Richmond's DIY punk scene since 2015, building a reputation on relentless touring and self-releases through their own label, Sockhead Records, rather than waiting for anyone...

Eddy Mann’s “We Are” Is What Happens When Worship Music Stops Playing It Safe

Somewhere along the line, worship music became afraid of weirdness. Maybe it happened when somebody discovered that four chords, an enormous chorus and enough reverb to fill Noah’s Ark could reliably make an...

Novai — “I Won’t Let U Hurt Me”: When Enough Finally Means Enough

The problem with empowerment songs is that everybody sounds empowered by the second chorus. Heart shattered? Fixed. Self-esteem missing? Located. Rotten boyfriend? Deleted. Three minutes later everybody's stronger, wiser, hotter, and presumably...

WHO SAYS IT’S EVER TOO LATE?

Some of the most interesting creative chapters begin when we least expect them. For 50mething, that chapter arrived at 58, with a decision to finally bring decades of ideas and a catalogue...

AN ODE TO EMOTIONAL REINVENTION!

We often talk about music as an escape from reality, but sometimes it is less about escaping than figuring things out. “Bent Out of Shape” by Peter Manning Robinson emerges from precisely...
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Latest Stories

BETWEEN RECOGNITION AND MEANING..

We often underestimate how much meaning a sound can carry before we even begin to interpret it. Certain sounds are inseparable from memory, geography, ritual, and cultural experience; others acquire new meanings...

I Know What Happens When You Die But I Choose Not To Tell Anybody by Destructo Disk

Destructo Disk has been a fixture of Richmond's DIY punk scene since 2015, building a reputation on relentless touring and self-releases through their own label, Sockhead Records, rather than waiting for anyone...

Eddy Mann’s “We Are” Is What Happens When Worship Music Stops Playing It Safe

Somewhere along the line, worship music became afraid of weirdness. Maybe it happened when somebody discovered that four chords, an enormous chorus and enough reverb to fill Noah’s Ark could reliably make an...

Novai — “I Won’t Let U Hurt Me”: When Enough Finally Means Enough

The problem with empowerment songs is that everybody sounds empowered by the second chorus. Heart shattered? Fixed. Self-esteem missing? Located. Rotten boyfriend? Deleted. Three minutes later everybody's stronger, wiser, hotter, and presumably...

WHO SAYS IT’S EVER TOO LATE?

Some of the most interesting creative chapters begin when we least expect them. For 50mething, that chapter arrived at 58, with a decision to finally bring decades of ideas and a catalogue...

AN ODE TO EMOTIONAL REINVENTION!

We often talk about music as an escape from reality, but sometimes it is less about escaping than figuring things out. “Bent Out of Shape” by Peter Manning Robinson emerges from precisely...

SOMEWHERE BEYOND THE BOUNDARY LINE..

Somewhere between a heartbeat and a distant transmission, SATOSHI’s “Boundary Light” begins to glow. It feels like music arriving from somewhere just beyond reach, a place where memories lose their outlines, voices...

A BATTLE CRY IN THE DARK!

It is a remarkably simple statement, but in Ash L. Leif’s The Aegis Frequency, it feels almost like a battle cry. The anchor track, “I’m Still Right Here,” carries the weight of...

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