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Anything Else? by Jack Towns

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Jack Towns’ debut solo single, “Anything Else?” is a fresh burst of indie pop energy, effortlessly delivering optimism and playful charm. Released on September 20, 2024, this track is a testament to Jack’s knack for crafting catchy, feel-good melodies that stick with you long after the song ends.

From the very first note, “Anything Else?” captivates listeners with its infectious rhythm, a perfect blend of indie pop beats and a touch of jazz. Jack’s confident yet earnest vocal delivery is packed with emotion, lifting the track beyond just a happy tune. The surprise elements in the production, like the muted drum intro and the extended jazz-fueled jam towards the end, add unexpected layers that invite listeners to move and groove along. It’s like sunshine wrapped in a melody, a perfect companion to brighten your day.

The song’s lyrics also tell a relatable story of mixed emotions, balancing vulnerability with self-assurance. Lines like, “I make you wanna fly when I’m falling from the sky” highlight Jack’s lyrical depth, revealing a push-and-pull of love and independence, making you reflect while still relentlessly tapping your feet.

Jack Towns, a 19-year-old multi-instrumentalist and songwriter, has already shown his versatility through years of live performances with his band Filled to the Brim. Now branching out as a solo artist, Jack’s undeniable talent shines through in “Anything Else?”, proving that he’s ready to carve out his own space in the indie pop scene. The song radiates youthful energy and genuine heart, making it clear that Jack is an artist to watch. We simply cannot wait till he graduates! 

Indi Star Releases Bold Debut LP “eMotion Sick”

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Indi Star‘s debut album, “eMotion Sick”, is a bold statement from a young artist making her mark in the ever-evolving pop landscape. The album’s title sets the tone: a clever play on “emotion” and “motion sickness,” highlighting the turbulent highs and lows that define young love, self-discovery, and personal growth. Throughout its ten tracks, Star presents a mixture of vulnerability, angst, and empowerment, tapping into relatable experiences for her largely Gen Z audience.

Opening with “Care Less,” the album immediately establishes a sense of defiance and emotional independence. Star uses the track to reject the expectations and judgments of others, with a catchy, anthemic quality that sets the stage for what’s to come. “Shapeshifter,” one of the pre-released singles, delves deeper into identity, capturing the pressure of constantly having to adjust oneself to fit in or meet the expectations of others. This theme, which recurs across the album, feels authentic and timely, resonating with anyone grappling with self-image in an age of social media and shifting norms.

A clear standout is “Too Good For You,” an empowering anthem about recognizing self-worth and breaking free from toxic relationships. It’s the kind of song that inspires strength, with a pop structure that’s both radio-friendly and emotionally charged. Star’s vocal delivery is raw yet polished, and the message is universal—perfect for the age of “relationship red flags” and self-empowerment anthems.

“Tarantino,” brings something different to the table. Co-written by a powerhouse team, it fuses high-octane energy with cinematic references to create a track that compares love to a chaotic thrill ride, much like the films of Quentin Tarantino himself. The pulsating production mirrors the emotional whirlwind of a passionate, yet destructive relationship, while the lyrics are witty and memorable. It’s easy to imagine this song playing in a summer blockbuster, evoking the rush of adrenaline and heartache.

Amid the high-energy tracks, Star also slows things down with ballads like “How To Break A Heart” and “The End,” where her vocal fragility and introspective lyricism shine. “How To Break A Heart” in particular feels like an emotional pivot point on the album, where Star shifts from anger and confusion to sadness and reflection, showing a more mature and introspective side of her artistry.

The two interludes, “The Phone Call” and “The Car,” provide transitional moments that reflect on the album’s journey. They serve as introspective pauses, giving the listener a moment to breathe before diving back into the emotional rollercoaster.

Though “eMotion Sick” is Star’s debut full-length project, it carries a level of thematic consistency and sonic coherence that many young artists often struggle to achieve. By blending personal storytelling with infectious beats and cinematic flair, Indi Star offers listeners a compelling glimpse into her world. Her influences, ranging from Billie Eilish to Dua Lipa, are present but not overwhelming, allowing her to carve out her own space in the pop landscape.

Ultimately, “eMotion Sick” is a solid debut that positions Indi Star as an artist to watch. She manages to blend the personal with the universal, all while creating tracks that feel fresh, relatable, and destined to resonate with a broad audience.

For those looking for something a bit more off the beaten path, I recommend Jenn Champion’s “Single Rider” (2018). A beautiful blend of electro-pop and introspective lyricism, it explores themes of loneliness and love with a mix of upbeat rhythms and heart-wrenching ballads. It’s an underrated gem for fans of raw, emotional pop.

–Matthew Wheeler

Rena Kozak’s Indie Project Child Actress Tells a Triumphant Story of Grief & Loss on ‘Just Fine Never Better’ EP feat. Romantic Title Track

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As Child Actress, Rena Kozak toes the line between a tangible reality and an infinite universe. While Calgary was her initial foundation, her move to Montreal in 2017 solidified her work not just as a performer and songwriter, but as a sought-out producer and mixing engineer. Having released her latest full-length, Ancestor Worship, last year, Kozak is now sharing the last of the songs she wrote after her boyfriend died in 2012 in the form of an EP entitled Just Fine Never Better.

This year, it became important to Kozak to finish and release the final remaining songs so she can cleanse herself of that phase and see what might happen next. The first two tracks are from early on in her grief phase, while the second two were written in the last couple of years. She wanted to include them on Just Fine Never Better as a way to symbolize forward motion and growth. The EP’s title track was originally written by Kozak‘s late boyfriend, Chris Reimer of Women and The Dodos. It’s one that the couple both really liked, and after Reimer’s death, his parents gave Kozak permission to use it with Child Actress.

The official “Just Fine Never Better” music video was filmed in Montreal, QC at Studio Saint Zo and in San Francisco at Musée Mechanique. For a song about staying in, staying sober and taking a night off from the party, this video takes us to a surreal soirée in a psychedelic dream state. Mechanical alter-egos waltz and sing our subconscious thoughts to us while the only thing grounding us to the reality of the human world is a single wind turbine on the horizon. A reminder that even when we let ourselves get swirled away by substances and revelry by night, the wind is always there in the morning as the world turns around us – whether we like it or not.

 

I struggled to understand what Chris was saying in the lyrics on the cell phone recording of us jamming together – beyond the phrase “we could have a regular time tonight,” I couldn’t make out much else. I had never asked him what he was singing, I was always delicate with Chris and his creative output. He was shy about his songwriting and was just starting to develop lyrics and I didn’t want to push or influence him by prying. I figured he would make the words clear when he was sure of himself. 

I took the one phrase I could hear to be an implication of his desire to slow down on drinking and partying – a concept we had been talking about a lot. His lifestyle on tour was full of alcohol, and we were having a lot of conversations about how when we moved in together we would slow down on the drinking, we would have more “regular nights.” I built a little on the idea that he was musing on this with the song – what would it be like to fall asleep sober and wake up feeling fine… and then, for me, I inserted my own self into the theme of what would it be like to wake up with him still alive that day instead of waking up to find he had passed while I slept. In the end that’s what I made the song about – what if we just went to bed that night and woke up to another day instead?
Rena Kozak of Child Actress on “Just Fine Never Better”

PHOTO BY MARIE-ELAINE GAGNÉ

I think I have finally completed the thoughts I set out to with the Child Actress project. I think the release of these songs marks the end of an era of my method of writing from base instinct, pulling ideas out of the frantic mess of confusing thoughts I was having during difficult times. I think completing the album last fall allowed me to create more clearly and with more intention for these songs, and I look forward to taking another step in an even more clear direction with the next project.Rena Kozak of Child Actress

Auteur Research

The Musician’s Census 2024: “It’s Becoming Harder To Be An Independent Artist.”

Right Chord Music, joined Musosoup, the leading platform for independent musician promotion to conduct the Musician’s Census 2024. The online study was completed by 300 independent artists across 64 countries in one of the most comprehensive studies of grassroots musicians and their challenges.

 

The Musician’s Census 2024 – Key Findings

These challenges are immediately put into sharp focus with 40% of respondents admitting, “I honestly don’t know if I get paid the money I’m owed.” A further 22% report “I definitely don’t get paid what I’m owed.” It’s hard to imagine many other categories of work where fair payment is such a challenge.

Beyond payment ‘Getting music heard’ remains the most significant challenge for most respondents (54%).Meanwhile over two-thirds (68%) of respondents believe it’s becoming harder to be an independent musician. When asked why three major themes emerge:

  1. Oversaturation of the market: The sheer volume of new music being released daily makes it difficult to get noticed.
  2. AI-generated music: The rise of AI-generated music is contributing to the difficulty for independent artists. The presence of low-quality acts or AI-generated content is diluting the music landscape.
  3. Challenges in building a fanbase: The continued difficulty of gaining a loyal following and leveraging social media effectively.

The research highlights the lengths independent artists go to, to promote their music. It’s a time-consuming,  multi-channel process. On average artists report using five different social media platforms. Instagram dominates as the primary promotional channel.

In addition to social media, artists typically use five more services.  A music distribution service was the most frequently mentioned, followed by a Link Page provider and a Press/promotion service. DistroKid was the most recognised distribution service, but also the most polarising, reported as the most liked and disliked service.

In return for completing the survey, artists were entered into a competition to win Free promotion across Musosoup, Right Chord Music and Major Labl Artist Club. Congratulations to US dream-pop band Waltzerr who scooped the prize. Discover them on our Explorer, new music playlist.

Read the Musician’s Census

  • Read the full report here.
  • Download the full report here.

 

Source: Right Chord Music

Doing What I Can by COLBY!

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This release is indeed a statement of admirable strength and exquisite resilience! Rising pop sensation Colby is back with her latest single, “Doing What I Can,” and it’s clear that she’s here to make a statement in the music scene. Known for her airy yet powerful vocals, Colby delivers a track that blends emotional depth with her signature uplifting sound, captivating listeners right from the first note.

At its core, “Doing What I Can” is an anthem of self-reliance and empowerment. With lyrics that emphasize the importance of finding happiness from within, Colby sends a strong message: you are the only one responsible for your own joy. She poignantly reflects on the need to tune out external opinions and trust yourself, reminding us all to embrace our personal journey, even if the path is uncertain.

Following the success of her previous singles, “Don’t Know What to Say” and “Gone to Bed,” Colby continues to solidify her place in the pop music scene. Both tracks garnered critical acclaim and earned her spots on prestigious playlists like Apple Music’s New In Pop and Amazon Music’s Breakthrough Pop, further highlighting her magnetic presence in the industry.

“Doing What I Can” is yet another showcase of Colby’s ability to weave heartfelt emotion with an infectious, feel-good sound. Her introspective lyricism paired with her captivating energy ensures that she’s an artist to watch closely as she continues to rise.

Pulsein by JEAN-PHILIPPE RUELLE

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Behold Jean-Phillippe Ruelle’s latest pulsating offering, titled ‘Pulsein’. A throbbing piece of synthtronica that will get you hyped up and ready for a blistering workout.

Jean-Philippe Ruelle, based in the Belgian town of Mons, is assuming the role of a composer and producer on his latest release, the conceptually ‘Pulsein’. A flowing and dynamic melody that was used as the driving force for an aquatic choreography, ‘Pulsein’ is an unerring, forward moving, and unrelenting piece.

Benefiting from a simplistic composition that allows for the litany of synth lines to play smoothly off one another, as well as from a driving groove that does not give up, ‘Pulsein’ is a first and foremost synth-driven song that makes its boldest statements using the melodies from the smooth synth leads that pulsate endlessly throughout the track, creating an atmosphere that is perpetually in motion. The creamy nature of the synth sounds also allows for the multiple line to glean off one another without much friction or harshness, making the listen even more approachable and smooth.

Jean-Philippe Ruelle’s latest composition is a nice accompaniment to get listeners ready for some physical exercise. With its snaking synths and dynamic grooves, ‘Pulsein’ will positively contribute to your pulses. 

Another State by SEAFARERS

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To say I enjoyed listening to this latest release by Seafarers would be an understatement. An album of sublime tunes, storytelling, music, and mixes, Another State is a balanced, bright, and delightful affair of the most passionate indie pop.

A band based in London, Seafarers create thoughtful and picturesque pop that’s loaded with nuance and dripping with a unique character, walking in the vein of fellow English groups London Grammar and Arthur Beatrice, and countless others. The music on this album creates a stunning blend between the pop-centered mixes mentioned earlier and tales of early adulthood in sparsely populated suburbia that provokes a sense of earlier, gentler, and lighter Arcade Fire.

In the words of Seafarers themselves, the songs on Another State are like vignettes of early adulthood, discussing stories of characters as they slip in and out of faith, cities, relationships, and jobs. An album that is warm with its humanness, and generally gentle in its music, the focus is heavily shifted onto the weight of the stories being told, while the music plays sweet and moving, thoughtful teen pop tunes as wholesome accompaniment to the stories, maybe pinning down the lyrical approach of Taylor Swift’s later work as yet another influence.

While influences can be picked here and there throughout the album through musical and melodic cues, there can be no denying that Seafarers are bringing a sound that’s wholly there own on their third album to date. The guitar noodling and rhythmically fragmented, little melodies on songs like ‘Another State’ and ‘Melissa’ paint pictures of vulnerable but dedicated individuals, full of a burning passion for what’s to come while feeling scared and anxious beyond their age, which is a common theme that underlines almost all the songs on the album. The results are relatable and approachable experiences that make the listening experience even more rewarding.

The lyrics on Another State are uniformly brilliant, personal, poignant, and mature. The stories for the different characters are penned with such grace that the personal experiences shared in the words are detailed and exhilarating to witness as they unfold as each song progresses. ‘Everything I’d Do’ is one of the album highlights, telling the story of a pair of high school sweethearts growing bored. With its nods to The National, the deep lyrics have their fare share of eloquent, cryptic, and open-ended half-tales of people, moving through the protagonist’s life, and with its slow burning and explosive instrumental, it is a song that packs stirring punch. Among the album’s best.

‘Anyone Else’ is a song that would sound perfectly at home on The National’s later albums with its perky, soft pecking riffs and curious rhythm. A dynamic and deep-hitting groove, ‘Anyone Else’ is the one song on Another State that probably has the music outshining the lyrics. The interplay between the intensely indie-sounding guitar, channeling Whitney, the unrelenting synth riff, playing a single note, and the snaking bass line, all create a hypnotizing tapestry of colors. Another instrumentally brilliant song follows right afterwards. ‘Tiny Itch’ has an incredibly engaging composition, with an equally engaging groove, and a vocal part that is split between soft spoken verses and an earworm of a chorus melody. A true hook on an incredibly catchy song that is among my own favorites.

“At times it’s overwhelming, but I’m trying to be polite” is the note Seafarers bookend a plain lovely album with, maybe penning an image that could sum up the experiences shared on this album.

Growing into adulthood is not pleasant, it is overwhelming and scary, marred by loneliness and questionable choices. A period of life that’s usually overshadowed by the more base and repetitive difficulties of teen years, which probably can lend themselves to more colorful stories, or the expected duality of actual adulthood, namely achieving domestic bliss, or falling headfirst into ruin. Seafarers are offering gorgeous displays of the normalcy of early adulthood. Stale tales of suburbia and fed up lovers, twisted desires and characters failing time and again to let go of what it feels like to be young and free have seldom sounded so lovely and tangibly stirring. Another State falls third in line for the London six-piece. An album that showcases dazzling musical and lyrical maturity, Another State has left us impatient for the group’s upcoming explorations of later stages of the lives of their unforgettable, mundane heroes.

Musical Chameleon Brock Geiger Offers an Energized Slice of Abstract Pop with New Single “Lemonade”

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Having established himself as a multi-instrumentalist and producer in the Canadian scene, Brock Geiger has been a key collaborator on nearly 50 records, scored over 10 short films, and has toured worldwide with a multitude of projects. Geiger’s Swiss Army Knife sideman approach has landed him on stages including Austin City Limits, Sasquatch Music Festival, and Union Chapel, and heard his songs featured on internationally acclaimed films and television shows.

Following the release of previous single, “Steps Taken,” Geiger’s latest offering, “Lemonade,” is the second installment from a collection of solo material – a bold step out of the sideman role, showcasing Geiger’s penchant for refined songcraft and ambitious production. Produced and recorded by Geiger and longtime collaborator, Will Maclellan(Boygenius, Phoebe Bridgers) between the former’s StudioB and the prestigious Sound City, “Lemonade” features a band of Los Angeles-based first call players with Matt Chamberlain on drums, Gabe Noel (Kendrick Lamar, Father John Misty) on upright bass, and Sam Gendel (Moses Sumney, Maggie Rogers) on saxophone and FX.

Deep pocket rhythmic propulsion, a swampy upright bass line, and three-dimensional abstract horn swells provide a pillowy backdrop for Geiger’s understated, lyric packed vocal delivery addressing trials of mistrust, confronting hard truths, and sticky lips. “Lemonade” simmers with textures throughout and reaches an instrumental climax featuring an explosive wall of layered saxophones by modern-music-mastermind, Gendel.

CREDIT: JEN SCHIER

This is another song that I produced at my place, StudioB and thought was “finished.” When I shared things with Will and we decided to blow up my self produced versions together at Sound City I was a bit hesitant to deconstruct this one. I had arranged and performed a bunch of clarinet and saxophone parts, and put myself through hell trying to play them, so I was attached to things for the wrong reasons. The band on this track features Matt Chamberlain on drums, Gabe Noel on upright bass, and Sam Gendel on alto sax. It was insane and incredible to watch Sam take my arrangement idea and blow it out of the water. (no pun intended). I’d been obsessed with his ‘Music for Saxofone and Bass’ record, and he’s all over the Pino & Blake record that was coming out while we were making my album, so working with him and this gang was a dream.Brock Geiger

Auteur Research

Bonneville brings life with new single ‘Over Breakin’

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Bonneville is a duo looking to reignite a passion for retro Southern soul, bringing a clear personal passion that shines far beyond the performances alone. Wes McGee and Jeff Hayashi bring true-to-life slices of poetry that allow their collaborators to soar above the clouds.

Ahead of their performances in Huntsville’s MidCity District as a part of FAME’s 65th Anniversary Celebration, celebrating the studio of the same name, the band unveils ‘Over Breakin’, with impassioned emotions taking centre stage.

‘Over Breakin’ is a magical soul gem, the pair bring a grooving forward sense of joy whilst diving into a breakup recovering. Finding themselves again in the music, exploring the nuance of emotional intelligence, Bonneville showers listeners with varied instrumentation and rich gospel harmony.

Rooting down in the foundation of rhythm, and keeping the chords rolling, the band chases climactic heights with new melodies and new tonalities. Flowing from moment to moment with sleek keys, shining brass melodies and a growing choir behind them, the guitars are giving new life and the bass a new punch.

Jeff explains, “The song is essentially the same chords throughout so I wanted to differentiate the chorus from the verses by changing the rhythm. I wanted big horns in the track so I had a lot of fun arranging the brass ensemble with Brad Guin and Marc Franklin. There are many stacks and harmonized layers during the chorus section with the brass. It really makes the chorus soar!” Wes adds, “The Lawrence Welk Show horns at the end are really fun!”

Plus Music PR

Caroline Hale puts on a show in ‘Live At Stable Hall’

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Fresh from performances at the world-famous Texas Ballroom and a support slot alongside Lamont Landers, San Antonio songwriter Caroline Hale is having an incredible 2024, best marked by the release of live EP ‘Live At Stable Hall’.

With her artistic vision set out in her debut album ‘BFF’, Caroline takes to her hometown stage to showcase her talent. The warm complexity of her acoustic guitar and a performative vocal come together to deliver eight tracks in a new light, Caroline truly putting on a show.

From bouncy melodies and rhythms to heartfelt melancholic moments, there is emotion conveyed in every instrument, led by the frontwoman’s vivid vocal storytelling. Magnificent, yet unfiltered and perfectly inexact, Caroline shows an alternative side, something immersive and fresh with fan favourites and new highlights.

In her own words, Caroline explains, “Bringing these songs to the stage has been an incredible journey. My band and I dedicated ourselves to refining each track until they developed a vibrant energy of their own, inviting fans to immerse themselves in our live performances. While the studio album ‘BFF’ holds a special significance for me, recording this live EP in my hometown at the magnificent Stable Hall venue fills me with immense pride and excitement.”

Plus Music PR