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BEYOND THE BRAVADO!

Confidence can easily be mistaken for arrogance, especially when its history remains unseen. On “D.P.W.M (Don’t Play With Me),” London-based, Malawian artist YesaYa turns that tension into a hard-hitting UK rap statement,...

FINDING YOURSELF ALONG THE SILK ROAD!

For centuries, the Silk Road connected people, ideas, and cultures across vast distances. But what if the journey wasn't only about reaching another place, but also about discovering something within yourself? On...

Dire Tribes by Microbes

Allister Ainsworth and Jacob Connor, the Auckland duo behind Microbes, timed the release of "Dire Tribes" for October 7th, ahead of the New Zealand General Election. They began the song together in...

I’m A Vine by Tara Van

Most of what went into "I'm A Vine" came from Tara Van's community. The Toronto soul artist recorded the single, released October 9th, at Apartment Sea Sound, the east-end hub run by...

A GROOVE FOR A COMPLICATED STORY..

“Stolen Valor” by Tony Frissore featuring AXIOM builds an unexpectedly restrained soundscape for a subject carrying this much emotional weight. A slow funk groove, atmospheric synths, and distant sirens create a dark...

See Your Shadow’s “Weekend (Can’t Get Here Soon Enough)” Is a Working Person’s Declaration of Freedom

There is something almost sacred about five o'clock on a Friday afternoon. For the factory worker whose hands have carried the week's weight, the waitress who's smiled through another double shift, or...
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Latest Stories

BETWEEN RECOGNITION AND MEANING..

We often underestimate how much meaning a sound can carry before we even begin to interpret it. Certain sounds are inseparable from memory, geography, ritual, and cultural experience; others acquire new meanings...

I Know What Happens When You Die But I Choose Not To Tell Anybody by Destructo Disk

Destructo Disk has been a fixture of Richmond's DIY punk scene since 2015, building a reputation on relentless touring and self-releases through their own label, Sockhead Records, rather than waiting for anyone...

Eddy Mann’s “We Are” Is What Happens When Worship Music Stops Playing It Safe

Somewhere along the line, worship music became afraid of weirdness. Maybe it happened when somebody discovered that four chords, an enormous chorus and enough reverb to fill Noah’s Ark could reliably make an...

Novai — “I Won’t Let U Hurt Me”: When Enough Finally Means Enough

The problem with empowerment songs is that everybody sounds empowered by the second chorus. Heart shattered? Fixed. Self-esteem missing? Located. Rotten boyfriend? Deleted. Three minutes later everybody's stronger, wiser, hotter, and presumably...

WHO SAYS IT’S EVER TOO LATE?

Some of the most interesting creative chapters begin when we least expect them. For 50mething, that chapter arrived at 58, with a decision to finally bring decades of ideas and a catalogue...

AN ODE TO EMOTIONAL REINVENTION!

We often talk about music as an escape from reality, but sometimes it is less about escaping than figuring things out. “Bent Out of Shape” by Peter Manning Robinson emerges from precisely...

SOMEWHERE BEYOND THE BOUNDARY LINE..

Somewhere between a heartbeat and a distant transmission, SATOSHI’s “Boundary Light” begins to glow. It feels like music arriving from somewhere just beyond reach, a place where memories lose their outlines, voices...

A BATTLE CRY IN THE DARK!

It is a remarkably simple statement, but in Ash L. Leif’s The Aegis Frequency, it feels almost like a battle cry. The anchor track, “I’m Still Right Here,” carries the weight of...

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