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“Pulling Up the Covers”: Richard Lynch’s Loving Tribute to Country’s Greatest Hits

Michael Stover
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“Pulling Up the Covers”: Richard Lynch’s Loving Tribute to Country’s Greatest Hits

A Journey Through Country’s Golden Era

Richard Lynch‘s “Pulling Up the Covers” offers a soul-stirring journey through the essence of classic country. Set to release on July 26th, 2024, this 14-track album is much more than a simple covers project—it’s a deeply personal tribute to the music that shaped Lynch’s life and career. Lynch, an Ohio Country Music Hall of Famer, is known for his devotion to preserving the sound of traditional country, and in this album, he honors that legacy by bringing new life to songs that have defined the genre for decades.

The first single, a heartfelt rendition of Conway Twitty’s “Rest Your Love on Me,” drops earlier on July 5th, setting the tone for the album. In Lynch’s capable hands, the song swells with an authenticity that reminds listeners of the raw emotional depth Twitty was known for. Lynch’s rich, baritone voice cradles the melody, breathing new warmth into the lyrics while paying respect to the classic’s original tenderness. This is just the beginning of a record that unfolds like a time capsule of country’s most beloved moments.

A Heartfelt Curation of Country Classics

Each track on “Pulling Up the Covers” is a carefully selected piece of Lynch’s musical heritage. From the toe-tapping melodies of Mel Tillis’ “Memory Maker” to the bittersweet romance of Vern Gosdin’s “Till the End,” Lynch’s choices reflect a profound connection to the soul of country music. Rather than covering the most commercially obvious tracks, Lynch digs deeper, pulling out songs that resonate on a personal level.

Buck Owens’ “Made in Japan” gets a fresh interpretation with Lynch’s seasoned delivery, capturing both the whimsy and emotional complexity that Owens brought to the original. Similarly, Johnny Rodriguez’s “Ridin’ My Thumb to Mexico” showcases Lynch’s ability to bring a contemporary flavor to a timeless classic, making it feel both nostalgic and fresh. He also tackles deeper cuts like Johnny Paycheck’s rowdy “I’m The Only Hell My Mama Ever Raised,” embodying the outlaw spirit of classic country while infusing it with his signature blend of sincerity and grit.

For Lynch, “Pulling Up the Covers” isn’t just an album—it’s a mission to revive the purity of country music. Faron Young’s “It’s Four in the Morning” stands as one of the highlights of the record, with Lynch expertly capturing the lonesome desperation that the song embodies. His voice carries the weight of the lyrics, bringing listeners back to a time when heartbreak and honky-tonks ruled the airwaves.

Production That Honors Tradition

Recorded at the esteemed Beaird Music Group in Nashville, “Pulling Up the Covers” benefits from a team of seasoned session musicians who breathe new life into these timeworn classics. The production remains faithful to the roots of traditional country, relying on rich acoustic textures, pedal steel guitars, and fiddles that evoke the golden age of the genre. There’s no flashy production here—just straightforward, heartfelt music played with passion and reverence.

Michael Stover of MTS Management Group, who worked closely with Lynch on this project, remarked on the emotional depth Lynch brought to the studio. “With each verse and every word, listeners can feel a piece of his soul touching their ears,” Stover said. This sincerity and devotion shine through in every note.

Next Station: A Deeper Dive into Country Tradition

For those wanting to explore a more complex interpretation of the traditional country spirit, consider diving into “Red Headed Stranger” by Willie Nelson. This masterpiece from 1975 takes the narrative storytelling Lynch loves and weaves it into a rich tapestry of outlaw country, complete with sparse instrumentation and haunting melodies.

Similar Albums to Explore

1. Honky Tonk Heroes – Waylon Jennings
2. Dreaming My Dreams – Waylon Jennings
3. Back to the Barrooms – Merle Haggard
4. Blue Kentucky Girl – Emmylou Harris
5. Old Ways – Neil Young

Verdict: A 90/100 Celebration of Country’s Rich Legacy

Lynch’s dedication to authentic country music is what makes “Pulling Up the Covers” shine. By carefully curating these songs and delivering them with emotional sincerity, Lynch reintroduces listeners to the core values of classic country: truth, heartache, love, and resilience. This album is a must-listen for fans of traditional country, offering both nostalgia and renewal.

–Bobby Spielberg

Robert Ross Raises a Glass to Heartache with “Drink ‘Em Down”

Michael Stover
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Robert Ross Raises a Glass to Heartache with “Drink ‘Em Down”

Robert Ross’s single “Drink ‘Em Down” emerges as a classic honky-tonk anthem infused with grit, sorrow, and a touch of humor. Co-written with the celebrated Canadian producer Gil Grand, the track pulls no punches in delivering a full-throttle country drinking song, soaked in whiskey and regret.

From the opening guitar strum, you’re transported to a smoky bar, where Ross’s rich baritone voice tells the age-old tale of love lost and memories that just won’t fade. The lyrics lean into country tradition with lines like “Just set ‘em up and I’ll drink ‘em down,” capturing both the raw pain and the stubborn determination to drown heartache one shot at a time. Ross manages to weave familiar country themes of betrayal and hard-drinking, but what sets him apart is his ability to make every verse feel personal and relatable, as though he’s lived every word.


The production is straightforward and polished, allowing Ross’s storytelling to shine through. Grand’s influence can be heard in the track’s crisp guitar lines and steady rhythm, which balance Ross’s vocal delivery with a toe-tapping, radio-ready sound. The instrumental solo provides just enough space to breathe before diving back into the chorus, where the sing-along quality of the hook ensures this song will become a barroom favorite.

Similar Albums:
1. Eric Church – Chief
A gritty collection of country rock anthems with raw emotion and storytelling.

2. Dierks Bentley – Riser
Emotional depth paired with barroom-ready anthems and heartache ballads.

3. Chris Stapleton – Traveller
A modern country classic blending blues, country, and soul with heavy-hearted lyricism.

4. Jamey Johnson – That Lonesome Song
Dark, reflective, and steeped in traditional country roots, perfect for fans of Ross’s style.

5. Cody Jinks – Adobe Sessions
A mix of melancholy lyrics and outlaw country vibes, with a similar authenticity to Ross.

Next Station:
Sturgill Simpson – Metamodern Sounds in Country Music
For listeners who enjoyed “Drink ‘Em Down” but want to explore a more complex and psychedelic take on country music, Simpson’s album offers deeper philosophical musings while maintaining the classic country heartbreak core.

Verdict:
Rating: 83/100
“Drink ‘Em Down” holds its own as a classic addition to country’s long tradition of heartbreak drinking songs. With strong production and a catchy, relatable chorus, Ross continues to cement his reputation as a storyteller with songs that hit close to home. Expect this single to resonate well with fans of traditional country and contemporary outlaw vibes alike.

Vento, Ziggy, Hawk & McCarthy Capture the Spirit of the West with a Playful Twist in “Spaghetti Western”

Michael Stover
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Vento, Ziggy, Hawk & McCarthy Capture the Spirit of the West with a Playful Twist in “Spaghetti Western”

Vento, Ziggy, Hawk & McCarthy‘s newest single, “Spaghetti Western,” is a delightful, tongue-in-cheek homage to classic Westerns, infused with Italian charm. The song tells the story of a quirky “bad outlaw” wandering through the Old West, blending traditional cowboy imagery with Italian references. It’s a playful acoustic romp, marked by tight harmonies, spirited guitars, and the unique addition of mandolin and light percussion.

The lyrical content masterfully balances humor and vivid storytelling, painting the protagonist as a “marinara rambler” who fancies himself a cowboy straight out of a Sergio Leone film. With lines like “Caesar was a cowboy just like Vito Corleone” and “tearing up the honky-tonks in Venice and Pompeii,” the song draws clever parallels between Western and Italian cultural icons.

Musically, “Spaghetti Western” leans heavily on acoustic instrumentation, showcasing the band’s strong folk roots. John Vento and Bob Zigerelli’s dual vocals are rich and charismatic, supported by Cherylann Hawk’s smooth harmonies and Kevin McCarthy’s intricate mandolin work. The song exudes warmth and lightheartedness, an ideal soundtrack for those who appreciate both old Westerns and folk-infused storytelling.

Similar Releases to Explore:
1. The Devil Makes Three – “I’m a Stranger Here” – A darkly atmospheric acoustic blend of folk and western themes.
2. Colter Wall – “Songs of the Plains” – A collection of Western ballads with deep storytelling and rich acoustic arrangements.
3. Willie Nelson – “Red Headed Stranger” – A classic Western concept album with sparse, acoustic-driven soundscapes.
4. Shovels & Rope – “O’ Be Joyful” – Rootsy, Americana storytelling with dynamic harmonies and gritty folk instrumentation.
5. Orville Peck – “Pony” – Modern Western-inspired country with lush vocals and cinematic influences.

Next Station:
For a more layered and complex Western experience, explore Ennio Morricone’s “The Good, the Bad, and the Ugly” Soundtrack. A legendary score filled with orchestral brilliance and evocative Western soundscapes.

Verdict:
85/100 – “Spaghetti Western” is a refreshing and playful acoustic track with charming lyrics and tight musicianship. Its fusion of folk and Western elements is both unique and highly entertaining, bound to capture the hearts of listeners with a love for storytelling and cinematic nostalgia.

–Bobby Spielberg

Eddy Mann “Just Like Jesus” – A Soulful Hymn of Compassion and Grace

Michael Stover
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Eddy Mann “Just Like Jesus” – A Soulful Hymn of Compassion and Grace

Eddy Mann’s latest single, “Just Like Jesus,” is a testament to his profound faith and mastery of contemporary Christian music. Pulling from the deep well of gospel traditions while blending in the smooth rhythms of Philly Soul, Mann creates an inspiring anthem that speaks to both heart and spirit.

Musical Content & Lyrical Depth:
“Just Like Jesus” is rooted in the Gospel message, with lyrics that echo the Beatitudes, capturing Jesus’ compassionate embrace of the downtrodden. Mann’s smooth, soul-infused vocals weave through a backdrop of warm R&B melodies, offering a tender yet powerful reminder of the mercy and love at the core of Christ’s teachings. The refrain “Isn’t that just like Jesus” delivers both a call to reflection and a celebration of divine love, making the song resonate with universal hope.

Production Quality:
The production is pristine yet intimate, allowing Mann’s voice and the message to shine at the forefront. Layered harmonies and subtle instrumentation create a sense of warmth and depth, evoking the Philly Soul sound while maintaining the spiritual solemnity that defines the genre. The simplicity in the arrangement supports the song’s lyrical richness, making it accessible without sacrificing emotional complexity.

Recommended Similar Albums:
1. Chris Tomlin – “Love Ran Red” – An album that merges worship with heartfelt storytelling.
2. Israel Houghton – “Covered: Alive in Asia” – Combining gospel with soul, offering a vibrant worship experience.
3. CeCe Winans – “Let Them Fall in Love” – Blending R&B with gospel, highlighting powerful messages of faith.
4. Kirk Franklin – “Hello Fear” – A modern gospel album that uplifts with its message of perseverance and hope.
5. Donnie McClurkin – “The Journey (Live)” – A celebration of faith through gospel, filled with soulful performances.

Next Station:
Tasha Cobbs Leonard – “Heart. Passion. Pursuit.” – For listeners seeking a more complex exploration of worship, this album offers rich layers of vocal arrangements and dynamic gospel instrumentation, deepening the spiritual journey.

Verdict:
With “Just Like Jesus,” Eddy Mann continues his legacy of creating music that nourishes the soul. His unique blend of contemporary Christian and gospel, wrapped in the smoothness of Philly Soul, makes this single a soothing yet thought-provoking spiritual experience. The balance of heartfelt lyrics and stellar production underscores why Mann remains a cherished figure in the Christian music scene.

Rating: 87/100
Mann’s thoughtful composition and spiritual insight resonate powerfully, making “Just Like Jesus” an enduring anthem for faith and compassion.

–Bobby Spielberg

Bermuda Triangle by LEXI BERG

Akram Soliman
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Bermuda Triangle by LEXI BERG

Swedish American singer-songwriter Lexi Berg has just released her latest single, Bermuda Triangle, which describes the feelings of disconnect and longing for a connection or being understood. The song is a rich piano ballad and while quite different from Berg’s previous folky release, it still features the strong elements of her passionate and dreamy vocals that fans have grown to love. 

The song begins with Lexi singing in a very subtle and soft airy kind of chest voice. I loved how she can seamlessly blend between her stronger middle range and the powerful low parts. The moment the piano becomes clearer during the verse, I’m immediately reminded of artists like Tori Amos and Bjork. But what sets Berg apart is how she enunciates her words and perfectly colors them with enough emotion to make a storytelling atmosphere. 

The way Berg’s vocal registers and techniques all work to give that feeling of crying and groaning during the chorus and the outro will specifically were another factor that amazed me, because it showed how much control and technique she has and how she makes it seem effortless as she is just making her way through the emotional lyrics with a crystal clear pronunciation. She definitely has what it takes to be out there with all the great belter names in pop music. 

All in all, this single shows Lexi Berg’s angelic yet powerful vocals to new fans, and shows a new side to the older fans, luring everyone in with its themes of feeling lost in foreign place and a lack of comprehension from those around us. The song is sweet, relatable, well-written and most importantly, super-catchy and I urge you to give it a listen if you love this kind of big piano ballads.

Plurals (Remix) by Kama Tala

Cherine Abulwafa
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Plurals (Remix) by Kama Tala

Kama Tala breathes new life into his track “Plurals” with a remix that takes the song into a new, fresh, and energetic direction. Originally written during a long-distance relationship, “Plurals” captures the excitement and heartache of being apart from someone you love. The memorable lyric “we can’t do airports and goodbyes forever” perfectly sums up the bittersweet reality of long-distance relationships, and it’s this kind of personal touch that defines Kama Tala’s music.

In this remix, producer Zilchman reimagines the track, transforming it from its tender, raw form into a vibrant pop anthem. While the original version leaned into softer emotions, this new take bursts with energy, adding a catchy and upbeat twist without losing its initial emotional depth. Zilchman’s production shines here, giving “Plurals” a new rhythm and feel, showing the versatility of Kama Tala’s sound.

Revisiting the song wasn’t easy for Kama, as the relationship that inspired it had ended by the time he re-recorded the vocals. Despite that, he absolutely managed to stay true to the original lyrics, preserving the emotional story behind the track. This remix isn’t just a new version of “Plurals”—it’s a symbol of growth and moving forward, turning personal heartbreak into a fresh start and a point of development.

“Plurals” (Remix) is the perfect rebirth of a song that already had so much at heart, blending relatable emotions with an irresistible pop vibe. Kama Tala proves his ability to take life’s highs and lows and craft them into music that connects; reminding us that heartbreaks are not necessarily the end, they rather are the start of new journeys. 

Of your touch by Zhenyok Chem Brat

Mariam Nowar
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Of your touch by Zhenyok Chem Brat

“I-I am in need of your touch,” echoes in the back of our minds hours after listening to the pop track “Of Your Touch” by US-based collective Zhenyok Chem Brat. The catchy song carries a funky vibe to it and the electric guitar adds a whole new flavor to the track’s flow. 

With a “touch” of EDM, the track is dynamic and carries more than one aspect to it that has it stuck in your head. The song opens up with the funky beat and the harmonies of DJZ, which takes you on a ride through the steamy relationship. 

The group consists of DJ Producer Zhenyok (DJZ) and Chango on drums, who came about half a decade ago in California. Together, they created a song that reflects the relationship of a woman from beginning to end, emphasizing on the fact that the lady is craving the touch of her lover. 

Influences of the group ranges from Prince to Katy Perry, which doesn’t quite show up in the music but you can definitely tell that the tune sought muse from the greatest. Their previous single “Get Hot” leaned more on the rock side, with strong electric guitar strums, and it seems they’re taking an electronic turn for their latest release. 

“[The] name is based on Russian slang named in [the] first single recorded in St Petersburg,” shared the band. The name is quite quirky indeed, and so is the music!

Mylar Bagz by Ado drix

Cherine Abulwafa
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Mylar Bagz by Ado drix

A BREATH OF FRESH AIR INTO THE SCENE OF HIP HOP!

Mylar Bags by Ado Drix is a refreshing addition to the ever-evolving hip-hop landscape, carving out its own space with seamless production and stand out instrumental choices. Right from the opening, the track grabs your attention, captivating listeners with slick beats and nuanced musicality. It’s a sound that parallels Ado’s explosive rise to prominence with singles like “Boss Bitches” and “Self Inflicted Trauma.”

One of the most distinctive elements of Mylar Bags is its piccolo line, which immediately sets the track apart. Its light and airy texture adds an unexpected folk-inspired vibe, something you rarely find in modern hip-hop. The boldness of incorporating this instrument feels both innovative and natural, elevating the track’s melodic structure in a way that’s both surprising and expertly executed. This move showcases Ado’s willingness to take risks, and it pays off beautifully.

Like much of Ado Drix’s work, Mylar Bags pushes boundaries, refusing to adhere to conventional genre norms. The production quality is slick and polished, much like in “Boss Bitches,” where every layer is carefully crafted to create an unforgettable listening experience. The track doesn’t just deliver bars; it takes listeners on a journey, with its refined production pushing the boundaries of modern rap.

In a world flooded with mainstream rap, Mylar Bags stands out as a fresh, exciting entry that breathes new life into the genre. Ado Drix’s raw authenticity and inventive approach make this track essential listening for anyone seeking innovation and a refreshing twist on hip-hop. It is indeed a must-add to any playlist that craves creativity and originality in today’s rap scene.

 

Glow by TribalMixtura

Sistra Team
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Glow by TribalMixtura

Including Puerto Rico, Colombia, Argentina, and the USA, TribalMixtura is a dynamic ensemble fusing styles and inspirations from many areas. Published on September 20, 2024, their most recent single, “Glow,” is a singular mix of rock, salsa, drum & bass, funk, and Brazilian “coco,” music. This varied mix produces a sound with great roots in many musical traditions as well as freshness.

Combining rock, salsa, and funk with the rhythmic pulse of drum & bass and the folkloric touch of Brazilian coco music, “Glow” is one of the genre-blending tracks. These genres seem natural together as if the band sought to distense the vitality of several civilisations into one composition. The song moves dynamically between driving, high-energy passages, and more groove-oriented points.

With rhythmic changes in the songs and instrumental breaks keeping the listener interested, the chorus functions as a melodic anchor. Particularly prominent in the percussion, the drum and bass influence give the softer layers of funk and salsa a quick, almost frenzied vitality. These genre fusions remind me of previous genre-bending musicians like Santana, who similarly combined rock with Latin influences, or even The Mars Volta, with their experimental attitude to rhythm and structure.

“Glow” has classic as well as experimental instrumental options. Electric guitars drive the rock basis; their sharp, snappy riffs provide the song an edge. Congas and timbales, among other Latin percussions, fit perfectly with the conventional drum set to provide the track with the rich grooves and rhythmic intricacy needed in salsa music.

The careful instrument layering of the production is one of its strongest features. Whether it’s the percussion sections giving the song a joyous, festival-like air or the funky basslines supporting the music, the band doesn’t hold back when letting each component shine. Synthesizers and effects also have an electronic undercurrent, maybe about drum & bass and its electronic foundations. The music feels new yet classic because of this fine balance of acoustic and electronic components.

The vocals in “Glow” have soulfulness and power. Reminiscent of legendary Latin rock performers like Juanes or Charly García, the lead singer’s voice has a gritty yet warm sound. Although the message matches the intensity of the song, it also exudes jubilation and empowerment in tone.

Lyrically, the song’s theme is about inner light release and self-discovery. “Glow,” the recurring refrain, exhorts listeners to discover their shining qualities and share them with others. This universal message of self-empowerment takes on an especially joyful tone when matched with the dynamic instrumentation.

The sound of TribalMixtura in “Glow” replies to the fusion techniques of musicians such as Carlos Santana, who likewise combined rock guitar work with Latin rhythms. Especially in the syncopated rhythms and bass-heavy grooves, the fusion of funk components also reminds one of bands like Jamiroquai. Still, the Brazilian “coco” influence lends the song a distinctive taste that distinguishes it from more popular Latin-rock fusion.

Though TribalMixtura keeps things more anchored in organic, live instrumentation, the modern touch added by the drum and bass undertones draws connections with electronic musicians like Roni Size or even Pendulum. Combining these genres makes “Glow” a genre-defying song attractive to listeners of Latin music, rock, and even electronic genres.

Though the band’s emphasis on asking “Everybody to Glow” implies that the visual parts of the song are probably as vivid and varied as the music itself, the review did not specifically address the music video. Reflecting the band’s worldwide influences, the music video may have strong images, vivid colors, and a cosmopolitan look.

Tribal Mixtura‘s “Glow” is a vivid celebration of sound and self-expression. The song is a remarkable mix of genres—rock, salsa, funk, drum & bass, and Brazilian coco—brought together with professional production and contagious enthusiasm. Perfectly complementing the joyful character of the music, the lyrics stress self-empowerment and inspire the listener to embrace their inner light.

Fans of genre-blending bands such as Santana, Jamiroquai, or The Mars Volta will find “Glow” to be an interesting listen that tests limits while nevertheless honoring its cultural heritage. A unique release in 2024, TribalMixtura has created a tune that not only inspires people to dance but also shines.

Album: Dialog with Machines by XPERI-LAB

Cherine Abulwafa
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Album: Dialog with Machines by XPERI-LAB

Xperi-Lab’s second experimental ambient album, Dialog With Machines, invites listeners into a captivating dialogue between man and machine. Led by multi-instrumentalist Ghislain Caya, Xperi-Lab was founded in 2022 to explore the endless possibilities of sound. With Dialog With Machines, this experimental journey takes form as a tribute to technology and the tools used to shape modern music.

Drawing from influences like Brian Eno, Jean-Michel Jarre, and Depeche Mode, Dialog With Machines blends electronic elements with organic sounds, creating a rich, immersive experience. Tracks such as “Transparent Species” and “Alien Invasion in Philadelphia” push the boundaries of sonic experimentation by using heavily treated field recordings in place of traditional synthesizers. These unique soundscapes transport listeners to otherworldly environments, making each listen a new adventure. On “The Preacher,” Caya uses the Korg 770 to generate all synth sounds, layering it with vocals to create a track that feels minimal yet profound.

The most distinct feature of this album is its ability to transcend you through its tracks. The first track, for example, is mysterious and dark with a hint of curiosity. One can absolutely hear it playing as a thriller movie soundtrack. The second track, In Extremis, raises doubts. The use of faded background noise adds an exceptional sense of overthinking and confusion – extremis can be translated into “at the point of death;” this could be an mere imagination of our mental status at this point, when we are at extremis and we don’t really know what to think or feel, we are just irritated and confused. Population Zero could come across as more of an authoritative, focused, and observative kind of ambient track. It feels as if you are observing the world around you and overseeing its tricks and secrets. Could this be the artist’s view of the afterlife giving the placement of this track in this album? Even if we don’t get to a definitive answer, this album is without a doubt an emotional and imaginative conversational journey with life perceptions and machines.  

Recorded in La Tuque and self-produced, Dialog With Machines stands as a testament to Caya’s relentless pursuit of innovation. The album’s ethos is rooted in exploration, constantly pushing the limits of what sound can be. Each track offers a new discovery, revealing hidden layers and intricate details upon repeated listens.

Dialog With Machines isn’t just an album; it’s an open-ended conversation where technology and creativity meet. Xperi-Lab invites you to step into this sonic world and experience a dynamic, ever-evolving dialogue with the machines that shape our musical future.

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