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From Calvary to Redemption: Eddy Mann’s “When I Was Saved” Brings the Message of Easter to Life

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MELBOURNE BEACH, FL – Acclaimed Contemporary Christian singer-songwriter Eddy Mann releases his powerful new single and music video, “When I Was Saved,” available worldwide this Friday, March 20th, 2026. Inspired by the Biblical account in Luke 23:26–43, the song offers a deeply moving reflection on the crucifixion and the profound spiritual moment when redemption and sacrifice collided on Calvary.

Blending elements of Pop, Rock, Country, and Folk, “When I Was Saved” captures the emotional weight of the crucifixion story through Mann’s signature storytelling style—honest, reflective, and spiritually resonant. The song features the soulful supporting vocals of Liz Collins, whose voice adds a haunting spiritual depth to the track’s message of grace and salvation.

At the heart of the song lies its striking refrain: “I was saved the day my best friend died.”

With these words, Mann presents the paradox of Christian redemption—how loss became victory, and how love triumphed over hate on the hill called Calvary.

Written in December 2024, the song grew from Mann’s meditation on the final hours of Christ’s life and the perspective of those who witnessed the crucifixion. Through vivid imagery and heartfelt lyricism, the track walks listeners through that solemn day—where mockery, sorrow, forgiveness, and divine promise unfolded together.

“The song reflects on that sacred moment when everything changed,” says Mann. “It’s about understanding that through the ultimate sacrifice came the greatest gift—salvation.”

The accompanying official music video, available now on YouTube, visually complements the song’s emotional journey, bringing its themes of sacrifice, mercy, and hope to life.

The single serves as the first glimpse into Mann’s upcoming project Dreaming with God, scheduled for release in Summer 2026.

About Eddy Mann
Eddy Mann is an award-winning, chart-topping Contemporary Christian recording artist and songwriter known for his heartfelt storytelling and spiritually inspired music. Drawing on influences from pop, rock, folk, and Americana, Mann’s songs explore themes of faith, redemption, grace, and the human experience. His music continues to inspire listeners around the world through its authenticity, biblical inspiration, and uplifting message. For more information, visit www.eddymann.com

Novai Makes Her Powerful Introduction with Debut LP “This Is Novai”

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PITTSBURGH, PA — Pop/R&B Artist Novai officially steps into the spotlight with the release of her debut full-length album, “This Is Novai,” available worldwide on March 20, 2026 via MTS Records. Blending R&B, pop, adult contemporary, and gospel influences, the album delivers a deeply personal introduction to an artist whose voice bridges empowerment, vulnerability, and faith.

With 12 tracks written by songwriter Michael Stover, This Is Novai unfolds as both a musical journey and a declaration of identity. Across the record, Novai explores themes of self-discovery, emotional healing, resilience, independence, and spiritual redemption, presenting a sound that moves effortlessly from soulful pop confessionals to uplifting gospel testimony.

The album builds on the momentum of Novai’s earlier singles, including the empowering anthem “No Regrets,” a fearless declaration of liberation and personal growth. With its soaring chorus — “No regrets / Just wings / I’m flying” — the song captures the spirit that runs throughout the entire project: rising above pain and reclaiming one’s voice.

Elsewhere on the album, tracks like “Better Off Glittering,” “My Hoops,” and “Girls Night Glow” showcase Novai’s vibrant pop-R&B personality, celebrating confidence, individuality, and the freedom to define oneself on one’s own terms. These energetic moments balance seamlessly with more reflective songs such as “Someday,” “Never Enough,” and “I Won’t Let U Hurt Me,” where Novai’s expressive vocals explore the emotional complexity of love, heartbreak, and self-worth.

Faith and spiritual renewal also play a powerful role throughout the record. Gospel-inspired tracks “Back to Your Heart,” “My All,” and “Washed in the Water” reveal a deeply personal side of the artist, weaving themes of grace, redemption, and divine guidance into the album’s narrative. These songs bring a soul-lifting dimension to the project, highlighting Novai’s ability to move effortlessly between contemporary R&B and inspirational music.

Musically, This Is Novai draws inspiration from classic soul storytelling while embracing modern pop and contemporary R&B production. From uplifting anthems to introspective ballads, the album presents a cohesive sonic identity that highlights both Novai’s vocal range and emotional authenticity.

With its diverse influences and honest songwriting, This Is Novai positions Novai as an emerging voice capable of connecting across genres and audiences — equally at home delivering empowering pop hooks, soulful R&B melodies, and heartfelt gospel declarations.

Album Information
Artist: Novai
Title: This Is Novai
Label: MTS Records
Release Date: March 20, 2026
UPC: 199891720965

Track Listing:

  1. No Regrets – ISRC: QZZEB2542497
  2. Better Off Glittering – ISRC: QZ5FN2691896
  3. Someday – ISRC: QZZ8A2596728
  4. Back to Your Heart – ISRC: QZ5FN2691902
  5. Six Seven – ISRC: QZ5FN2691905
  6. My Hoops – ISRC: QZ5FN2691907
  7. My All – ISRC: QZ5FN2691909
  8. Girls Night Glow – ISRC: QZ5FN2691911
  9. I Won’t Let U Hurt Me – ISRC: QZ5FN2691914
  10. Never Enough – ISRC: QZ5FN2691915
  11. Washed in the Water – ISRC: QZ5FN2691918
  12. Back to Your Heart (Radio Edit) – ISRC: QZ5FN2691919

This Is Novai is available March 20th, 2026 on all major streaming platforms and digital retailers.

For more information, interviews, or media inquiries, please contact:
MTS Management Group / MTS Records
www.mtsmanagementgroup.com

A Little Bit by DJ Thommek

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Düsseldorf’s DJ Thommek released “A Little Bit” on March 27th, his follow-up to “Time Field” – the deep house track inspired by Klaus Rinke’s Zeitfeld installation that I covered earlier this year. This one draws from a different source: Edward Hopper’s “Morning Sun,” that quietly iconic painting of a woman sitting alone in a sunlit room, caught somewhere between stillness and longing. Thommek painted the cover artwork himself in pastel chalk – a woman seated, looking toward a window – his own visual translation of the Hopper mood rather than a reproduction of it. The dual identity as electronic producer and visual artist is increasingly central to how his releases work, each one arriving as a complete aesthetic package rather than just a track.

“A Little Bit” is cheeky with its title and lyrics because it’s about the opposite – it’s not about a little bit of something, it’s about that insatiable feeling when you feel passionate for something you can’t help but come back for more, just a little bit more, just one more hit. The contrast between the lyrical theme and the catchy lyrics and that somber artwork is great, like the silent moments between the exciting hits we keep coming back for, whatever that hit consists of for you.

Thommek keeps finding compelling entry points for his music in visual art, and “A Little Bit” is another clean execution of that approach. The Hopper connection gives the track an emotional frame without being heavy-handed about it – you don’t need to know the reference to feel the mood, but it rewards you if you do.

Susan Style Releases Profound Debut Album “Only a Broken Heart Can Hold the World”

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London-based Taiwanese producer, singer-songwriter, and visionary artist Susan Style unveils her highly anticipated debut album, Only a Broken Heart Can Hold the World. Inspired by Mother Teresa’s powerful prayer, “May God break my heart so completely that the whole world falls in,” this 7-track masterpiece is a cinematic exploration of heartbreak as a sacred catalyst for growth, cultural awakening, and emotional expansion.

The album intimately chronicles Susan’s 9,000-mile emotional and physical migration from the traditional comfort zones of Taipei to the creative crucible of London. By embracing the paradox of “blessed brokenness,” she shatters old cultural prejudices and emotional frameworks, creating space to hold a wider, more vibrant world. From the chaotic distortion of pain to grand, harmonious reconciliation, the record transforms personal deconstruction into a universal celebration of liberation and new perspectives.

As the sole writer and producer, Susan Style demonstrates remarkable artistic sovereignty. Her sound is a sophisticated fusion of Electronic Art-Pop and Avant-Garde Soundscapes, blending underground pulse with infectious pop sensibility and cinematic depth. Tracks like the earworm pop hooks of “A Fling” and “For You” deliver complex emotions in accessible, singable form. “Weird In A Good Way” ignites the dancefloor with sensory liberation and experimental energy, while the philosophical title track serves as an immersive electronic odyssey. “All Things New” offers a stunning cross-cultural synthesis, weaving traditional Mandarin phonetics and poetic whispers into a pulsating 80s synth-pop landscape.

The album reached its sonic peak through collaboration with Grammy-winning producer Max Heyes (Massive Attack, Primal Scream), who brought high-fidelity mixing and cinematic polish to Susan’s ethereal compositions.

“This album is more than a debut; it is a transcultural sonic rebirth,” says Susan Style. “By breaking open my heart, I shattered old frameworks and made room for the world. I hope listeners feel that same expansion and find courage in their own journeys of deconstruction and growth.”

Only a Broken Heart Can Hold the World is available now on all major streaming platforms.

About Susan Style

Susan Style is a London-based Taiwanese producer and singer-songwriter whose music bridges Eastern emotional depth with Western electronic experimentation. Operating with full creative control, she creates bold, philosophical, and highly listenable electronic art-pop that celebrates “blessed brokenness,” personal growth, and cultural expansion.

Jade Barbara’s New Single ‘breathe (a little)’ A Sharp, Addictive Take on Modern Dance Pop

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Sydney-born rising pop and R&B artist Jade Barbara returns with her new single ‘breathe (a
little)’, a dance-pop track infused with Y2K and pop-rap influences, set for release on March 24.
Driven by a punchy, high-energy instrumental and anchored by what early reviewers have
described as a “sticky hook,” ‘breathe (a little)’ showcases Jade’s ability to balance commercial appeal with emotional storytelling. The track features polished, layered vocals developed over months of refinement and professional production work within Logic Pro.
Written in October, the song was inspired by a real-life story Jade encountered, about someone who felt trapped in a relationship they had emotionally outgrown but couldn’t leave.

That moment stayed with her, eventually evolving into a track that captures the tension between frustration, attachment, and the need to step back and learn to breathe on your own.“Though I’ve released casual music from my bedroom in the past, I truly believe this song feels like my real debut single, and I’m so excited for the public to hear it. I think it’s the beginning of something really great.” – Jade.

As both a recording artist and performer, Jade Barbara continues to build momentum within
Australia’s emerging pop landscape. With over 65k streams on Spotify, a background in dance, and a focus on performance-driven releases, she brings a strong visual and live element to her music. ‘breathe (a little)’ is confirmed to feature in upcoming Sydney live shows as she continues to expand her audience.

Mortez Releases “Purgatory”

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Mortez, the dynamic musical collaboration between renowned pop powerhouse Rachele Royale and seasoned studio musician/composer Brett Daniels, today releases their emotionally charged new single “Purgatory.”

A gripping symphonic rock anthem, “Purgatory” dives deep into the universal experience of heartache, pain, internal turmoil, and the relentless fight to break free. The track serves as a powerful testament to resilience — the unwavering determination to find light at the end of darkness and rebuild stronger than before. With soaring vocals, rich instrumentation, and raw, soul-stirring storytelling, “Purgatory” invites listeners into an emotional journey of struggle, perseverance, and eventual triumph.

The creation of “Purgatory” was an intense labor of love for Mortez. The duo describes the writing and recording process as their own personal version of Purgatory a long, immersive struggle that required them to fully embody the song’s themes of torment and redemption to get it exactly right. The result is a track that feels lived-in, honest, and deeply cathartic.

Fans will have the opportunity to experience the raw power and emotion of “Purgatory” live when Mortez performs at The Alpine in Reno, NV, on April 2nd, promising an unforgettable night of symphonic rock intensity.

Rachele Royale, known for her commanding pop presence and vocal strength, joins forces with Brett Daniels, a versatile session player and composer, to form the behemoth that is Mortez. Together, the Los Angeles-based duo is crafting a bold symphonic rock dream, with plans to eventually tour with a full orchestra to fully realize the grand vision of their music.

“Purgatory” is available now on all major streaming platforms.

About Mortez

Mortez is the powerful collaboration between Rachele Royale — a well-established pop powerhouse — and studio musician/composer Brett Daniels. Hailing from Los Angeles, the duo blends symphonic rock elements with emotional depth and cinematic scope. Their music explores resilience, inner strength, and the journey through darkness toward light, with ambitious plans to bring their sound to the stage alongside a full orchestra.

AN OFFERING OF LIGHT IN A RESTLESS WORLD

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With “A Prayer,” Norwegian artist Maribelle, through her evolving project A New Spring, offers something that feels less like a release and more like a quiet unfolding; because what does it mean for a song to arrive not as a declaration, but as a sanctuary? From its very first breath, “A Prayer” resists urgency; it lingers, it opens, it makes room for the listener to arrive before its meaning begins to take shape.

Rooted in her background in musical theatre yet clearly distanced from its performative intensity, Maribelle channels a quieter, more introspective language here. The song unfolds with a sense of restraint that feels deliberate: textures are airy, rhythms are unhurried, and the production leans into openness rather than density. It is within this spaciousness that “A Prayer” finds its emotional weight.

There is a careful balance at play sonically. Elements of world-influenced soundscapes blend seamlessly with alternative and art pop sensibilities, creating a listening environment that feels both grounded and suspended. Nothing feels excessive; every layer seems to exist in dialogue with silence itself. This is not minimalism for aesthetic effect; it is minimalism as an intention.

Maribelle’s voice carries the track with a kind of quiet authority. There is no need for vocal excess or dramatic peaks; instead, she offers clarity, warmth, and a sense of presence that feels almost meditative. Her delivery does not impose emotion; it invites it. In doing so, she creates a space where the listener can project, reflect, and soften..

In a cultural moment defined by speed and saturation, “A Prayer” stands in quiet opposition. It does not attempt to compete; it offers an alternative. A slower rhythm. A different kind of attention. A return, perhaps, to something more essential.

With “A Prayer,” Maribelle and A New Spring articulate a clear artistic direction, one rooted in stillness, emotional clarity, and a reimagining of what it means to truly listen. And in that space, the song lingers; not loudly, but deeply like light that does not demand to be seen, yet changes everything it touches..

BUILT FOR THE DROP, DRIVEN BY DEFIANCE!

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Stephanie Happening’s “WAIT WHAT” immediately positions itself as a track that refuses to blend into the background. The London-based project arrives with a clear sense of purpose: direct, controlled, and unapologetically assertive. It doesn’t ask for attention; it commands it.

The production leans into precision rather than excess. A tightly wound rhythmic core, anchored by a punch-forward kick and sharply defined percussion, drives the track forward with relentless focus. There’s a sense of discipline in how each element is introduced, giving the music a clean, almost sculpted quality. Instead of overwhelming the listener with layers, the arrangement breathes, allowing every sonic detail to land with intention.

What elevates the track beyond its club-ready framework is its vocal architecture. The dialogue between the lead and the secondary vocal presence unfolds like a confrontation in motion: measured, tense, and emotionally charged. There’s a confident edge in the delivery, especially in moments where the lyrics push back with quiet certainty. The phrasing carries a sense of awareness unfolding in real time, as if each line marks a step further into clarity. Subtle effects: reverb, delay, and layering, expand the vocal space without diluting its impact, maintaining both intimacy and momentum.

The track thrives on recognition and refusal. It captures that precise instant where illusion is interrupted and replaced with clarity. What begins as a questioning tone quickly transforms into an assertion, turning simple phrases into declarations of self-possession. There’s a playful sharpness embedded in this resistance, giving the track a distinct personality, one that feels both grounded and unshaken.

The synth work mirrors this emotional tension with striking detail. Sleek, cutting tones move across the mix with a controlled intensity, occasionally brushing against dissonance before opening into wider, more atmospheric textures. These shifts are subtle but effective, creating a sense of internal movement that keeps the listener engaged. Background elements: pads, risers, and filtered transitions add depth without ever pulling focus, reinforcing the track’s balance between restraint and release.

What makes “WAIT WHAT” particularly compelling is how it holds two spaces at once. It is, undeniably, a track built for movement; its pulse is immediate, its energy sustained, its structure primed for the dancefloor. Yet beneath that surface lies a sharper edge, one that invites listeners into a moment of realization rather than mere escape.

This is where the track’s defiance truly lives, not just in its lyrics, but in its clarity of intent. It moves with purpose, speaks with precision, and leaves no room for ambiguity.

With “WAIT WHAT,” Stephanie Happening delivers a release that doesn’t just drop, it draws a line, asserting both sonic control and emotional clarity in equal measure.

CRAFTED IN SILENCE, FRAMED IN SOUND

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There’s a certain kind of listening space that only reveals itself when everything else softens, when sound stops competing and begins to settle. It’s exactly within that space that Milyam’s “Intimacy” takes shape, not as a conventional track, but as a carefully composed atmosphere that prioritizes presence over performance.

“Intimacy” leans into a refined minimalism that feels intentional rather than sparse. The production is sculpted with precision: muted beats, airy textures, and ambient layers that unfold gradually, never overwhelming the listener. Each sonic element feels placed rather than added, contributing to a soundscape that is both restrained and expansive. It’s not about building momentum; it’s about sustaining a mood.

There’s a quiet discipline in how the track moves. Rhythms don’t push forward; they hover. Synth lines drift in soft cycles, dissolving as naturally as they appear, creating a sense of fluidity that keeps the listening experience continuous. The use of space becomes just as important as the sounds themselves, allowing silence, or near silence, to function as an active part of the composition.

At the core of this delicate structure is Milyam’s vocal presence, delivered with a calm, controlled intimacy. Her voice doesn’t dominate the arrangement; it weaves through it, blending into the surrounding textures while still maintaining emotional clarity. There’s a subtle confidence in her restraint, an understanding that nuance can carry more weight than excess. The result is a performance that feels inward, almost personal in its expression.

What gives “Intimacy” its distinctive edge is its cinematic sensibility. Not in a grand, orchestral way, but in how it suggests rather than declares. The track feels like a sequence of moments rather than a linear narrative: glimpses of feeling, fragments of atmosphere. It invites interpretation without insisting on it, allowing the listener to inhabit the space in their own way.

This sense of cohesion speaks to a larger artistic vision. As an independent artist shaping her own aesthetic universe, Milyam, through “Intimacy,”  demonstrates a clear commitment to identity and control. Nothing here feels accidental. Every texture, every pause, every tonal choice aligns with a broader intention: to create something immersive, elegant, and self-contained..

A DELICATE COLLAPSE RENDERED IN PULSE AND ATMOSPHERE

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There’s a certain kind of stillness that some songs create before they fully take shape,a pause where sound and feeling begin to gather, almost imperceptibly. “Falling down” by StarAV exists within that space, emerging gradually and with intention, as if it’s unfolding in real time rather than following a fixed structure. It doesn’t rush to define itself, and that hesitation becomes part of its character.

That subtlety carries through the entire track. Shaped over time and revisited across different moments in the artist’s journey, “falling down” feels like a piece that has been allowed to mature naturally. Nothing here feels rushed or overstated. Instead, it settles into its own rhythm, letting each element find its place with a kind of understated confidence.

The sonic palette drifts between garage-leaning textures, alternative pop sensibilities, and an artful experimental edge. Soft ambient layers expand and contract around metallic pulses, while delicate electronic details flicker in and out of focus. The production creates a sense of movement without urgency; immersive, yet composed.

At the center, StarAV’s vocal presence is both grounding and elusive. Rather than dominating the track, the voice moves within the soundscape, sometimes clear, sometimes partially veiled. That fluidity adds emotional depth, mirroring the song’s introspective tone without pushing it too far.

“Falling down” leans into suggestion rather than declaration. There are traces of vulnerability: regret, distance, and self-awareness, but they’re delivered with restraint, allowing the listener to meet the song halfway.

With “falling down,” StarAV isn’t really trying to wrap things up neatly, and honestly, that’s what makes it work. It feels more like something you sit with than something you “get” right away. Give it a couple of listens, and you’ll probably find new details each time..