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WHEN HELD INSIDE A MEMORY..

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With “Please Don’t Say We’re Through,” Kancheong22 approaches endings not as sharp breaks, but as something that echoes, softens, and refuses to fully leave. The Singapore-based artist creates a listening experience that feels suspended in time, where emotion doesn’t resolve so much as it circles.

At the core of “Please Don’t Say We’re Through” is its loop-like structure, where verse and chorus blur into each other. There are no clear transitions, no sense of arrival, just a continuous unfolding that mirrors how memory works. Moments replay, conversations echo, and nothing quite settles.

From the opening line, “Thought that you always, be here with me,” there’s a fragile immediacy, as if the narrator is still catching up to the loss. That vulnerability deepens in “I took you for granted, left you beside me / But I was wrong too soon,” where regret is expressed with a simplicity that feels unguarded rather than dramatic.

The track leans into soft rock and indie pop textures, guided by warm, reflective guitar lines. The arrangement is restrained, allowing space for the vocals to breathe and for silence to carry meaning. It’s this restraint that makes the emotional weight feel intimate rather than overwhelming.

The recurring lines: “Hold back the silence and hear my song / Without your voice, don’t know what I’d do / So please, don’t, say, we’re through,” become less of a chorus and more of a return. Each repetition feels like an attempt to hold onto something already slipping away, stretching the moment just a little longer. Overlapping lyrics blur past and present into one emotional space, where apology and loss coexist. There’s no resolution offered, only recognition.

With “Please Don’t Say We’re Through,” Kancheong22 doesn’t move toward closure. Instead, he lets the feeling remain:  gently looping, unresolved, and held inside a memory that is still learning how to peacefully find closure..

A GESTURE OF GRATITUDE!

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Released through Pulse+ Records, this collaboration between Dimitris Nezis and Konstantinos Oikonomopoulos unfolds as more than a single; MANA feels like a carefully shaped offering. It is a tribute to motherhood, but it doesn’t stay within the personal. It slowly opens outward, extending its meaning to mother as origin: mother as earth, as homeland, as something deeply remembered rather than simply named.

The way MANA moves between sonic worlds without friction is indeed noteworthy. Eastern and Mediterranean textures form its foundation, drawing from Greek traditional rhythms like zeimbekiko, while a cinematic Western atmosphere rises around it. The blend feels intentional rather than decorative, a beautifully shared language rather than mere contrast.

The use of both Greek and English adds another layer to this sense of openness. It allows the song to travel across emotional and cultural spaces while holding onto its identity. Nothing feels diluted; instead, it feels translated with care.

Dimitris Nezis brings a vocal presence that feels grounded and sincere. There is no sense of excess in his delivery, no need to overreach. He sings as if the meaning already exists, and his role is simply to carry it. That restraint becomes part of the song’s strength.

The production leans into its cinematic scope without overwhelming the intimacy at its center. The arrangement builds with patience, allowing moments to breathe, and trusting silence as much as sound. It understands that emotional depth does not necessarily need constant intensity.

“MANA” ultimately unfolds like a gesture of gratitude, as Dimitris Nezis extends it beyond mothers, toward all that nurtures, holds, and shapes us all along our ways..

Exzenya Drops Commanding Hip-Hop Anthem “International Power” – A Bold Declaration of Earned Authority, Legacy & Unapologetic Reinvention

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Independent artist, global entrepreneur, and genre-fluid force Exzenya releases her powerful new single International Power,” a hip-hop dominant crossover anthem that commands attention from the very first note.

Opening with a stark, unaccompanied vocal declaration, the track builds into dynamic waves of controlled rap cadence and soulful melodic passages. Blending modern production with cinematic anticipation and assertive beats, “International Power” isn’t loud or aggressive — it’s composed, disciplined, and impossible to ignore. It captures the exact feeling of walking into any room and shifting the entire atmosphere without ever raising your voice.

“International Power is a hip-hop dominant anthem about earned authority, legacy, and self-definition,” says Exzenya. “It’s not performance bravado — it’s lived leadership. My music reflects real-world entrepreneurship and decades of experience across cultures, psychology, and conflict resolution. This track is about redefining norms, crossing industries, and standing unboxed through conviction, not confrontation.”

Written, performed, and produced entirely by Exzenya herself, the single perfectly embodies her brand: the sound of reinvention at any age. A grandmother, independent CEO, and fearless creator, she is reshaping what success looks like for women 30+ who refuse to ask permission to lead or create. With degrees in psychology, communications, conflict resolution, and Applied Behavior Analysis, Exzenya transforms lived experience and behavioral insight into emotionally immersive music that resonates universally.

International Power” is available now on all major streaming platforms:

About Exzenya

Exzenya is a genre-fluid independent artist and global entrepreneur whose music draws from the full spectrum of human relationships, emotional cycles, and psychological depth. With a background that spans continents, cultures, and corporate leadership, she creates without compromise — blending vulnerability, satire, seduction, and strength. At a time when many settle, Exzenya is just getting started. This isn’t just a debut era; it’s a blueprint for creative freedom at any stage of life.

Pop Sensation Kelsie Kimberlin Releases Empowering New Single & Music Video “Infinite Possibilities” – A Father-Daughter Duet Celebrating Freedom and New Beginnings

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Acclaimed Ukrainian-American singer-songwriter Kelsie Kimberlin has released her fifth single of 2025, the uplifting anthem “Infinite Possibilities,” accompanied by a stunning official music video directed by Zack Gross. The track and video mark a deeply personal milestone for the 26-year-old artist, featuring a heartfelt acoustic duet with her father as they perform on matching Larrivée guitars around a glowing firepit.

“Growing up, I was sheltered, taught the lessons of life, and told that one day I would spread my wings into a world of infinite possibilities,” said Kelsie Kimberlin. “This song and video are about all of that from the point of view of me and my father. We have been creating music since I can first remember, and this song is a celebration of that musical bond and the realization of my dreams.”

Filmed with rich symbolism — the firepit representing life’s lessons forged through fire, the lighting evoking hope and dreams, and the camera angles capturing the first brave steps into the unknown — the video beautifully mirrors the song’s message of shedding the past to embrace destiny. Kimberlin adds, “Unlike most of my other music videos, in this one I play my acoustic guitar. The song has Grammy winners in the production process, along with a string quartet. It shows another side of my music.”

With simple yet profound lyrics — “I’ve just been incubating, my world, my life has just been percolating… but now they’re ready to unfold, fly into the world, beautiful and bold” — “Infinite Possibilities” is designed to inspire anyone stepping into a new chapter, free from old boundaries.

The single continues Kelsie’s signature blend of world-class production: mixed by Liam Nolan (Adele) and mastered by Greg Calbi and Steve Fallone (Lady Gaga/Tony Bennett). It is the latest in a catalog of more than 100 original songs written and recorded by the artist, who began her journey at age eight with a prize-winning track for Yoko Ono’s Peace Project and has since collaborated with multi-Grammy winners and nominees across three continents.

A passionate advocate for Ukraine, Kelsie has used her platform for humanitarian work, filming under martial law in Bucha and Irpin, and recently returned to shoot a full-length documentary. In April 2025, she received the United Nations Humanitarian Award and the St. George’s Royal Medal of Honor from King Charles. Later this year, she will tour with the film and debut a new music video for “Dream of Peace” at the International Peace Concert in September.

Infinite Possibilities” is now available on all major streaming platforms worldwide. Watch the official music video here

About Kelsie Kimberlin

Kelsie Kimberlin is a 26-year-old Ukrainian-American singer-songwriter whose music has amassed tens of millions of streams, views, and radio plays globally. From children’s choirs to studio sessions with the industry’s finest, she has spent thousands of hours honing her craft and continues to release new material weekly. An international artist who has filmed in Colombia’s rainforest and war-torn Ukraine, Kelsie uses her voice for both art and advocacy.

Stevie Lee Woods & The NRL Band Unveil Powerful Country Gospel Cover “Where I Find God” – A Soul-Stirring Message of Faith and Hope

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Country Music Hall of Fame inductee Stevie Lee Woods, together with his award-winning band The NRL Band and background singer Devin Callahan, releases a heartfelt new cover single, “Where I Find God,” on March 13, 2026. Produced by legendary producers Chris Omartian and Stuart Epps alongside Stevie Lee Woods, this powerful rendition of Larry Fleet’s song delivers the unmistakable presence of God in every lyric, creating an unforgettable, soul-stirring experience that resonates across generations.

Stevie Lee Woods & The NRL Band draw deep inspiration from a rich lineage of country and gospel greats, including Larry Fleet, Vince Gill, Patty Loveless, Reba McIntyre, Ray Price, and the Gaithers. The result is a timeless country gospel track that stands out for its impactful delivery and profound message of hope and faith. “This release stands out by the sheer delivery and meaning of the song,” says the artist. “It resonates with many people and is a song for the masses that we hope everyone hears the message and receives it.”

Recorded at the prestigious Mansion Studios in Branson, MO, and in London, the single captures the band’s mesmerizing live energy. Fans can experience that same magic in person at the Nashville Roadhouse Theater every Thursday, Friday, and Saturday, as well as on the Nashville Roadhouse live TV and radio shows weekly.

A preacher who witnessed the song performed live summed up its power perfectly: “When you performed this song, it’s like you brought God right into the room. It was amazing.”

About Stevie Lee Woods & The NRL Band

Hailing from Branson, United States, Stevie Lee Woods & The NRL Band are making a bold impact on the country gospel scene. With Stevie’s Country Music Hall of Fame credentials and the band’s award-winning pedigree, they continue to deliver authentic, faith-filled music that touches hearts and brings hope to listeners everywhere.

Where I Find God” is now available on all major streaming platforms.

50mething Releases Haunting New Single “Silence” – A Stark Reflection on Women’s Safety and the Stories We Refuse to Forget

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Independent artist 50mething has released his powerful new single “Silence,” a raw and unflinching examination of women’s safety on the streets and the vulnerability faced by those travelling home alone. The track arrives as part of a deliberate wave of releases from the artist’s extensive 70-track unreleased catalogue, distributed via DITTO.

At 58, 50mething – a former professional dancer and garden builder – has entered the music business with the urgency of someone who has lived enough to know time is precious. After a 2024 cancer diagnosis, his debut single “Slowly through the night” (January 2026) served as a deeply personal testament to survival. Now, with treatment progressing well, he is steadily sharing the wealth of music he has quietly amassed, each track shaped by social and political realities rather than trends.

Silence” was written in direct response to the murder of Sarah Everard in the UK and a harrowing local case in which a young woman went missing and was later discovered in a river. The song captures the chilling image of a body hidden from view, left to nature until found – a horror that, the artist notes, “happens all the time, too often.” It forces the listener to confront the final terrifying moments of those who never made it home.

The artist explains: “This song tweaks on an emotional nerve. Putting oneself in that position doesn’t bear thinking about.” Released alongside two other tracks just before International Women’s Day, “Silence” carries no celebration — only a pointed reminder that the same demographic continues to be targeted.

Working entirely alone as an independent artist from his home studio, 50mething recorded “Silence” (and all his material) using a homemade vocal booth, a collection of instruments, and a 24-track digital recorder. Mixing and mastering were handled remotely through the online platform SOUNDBETTER, with assistance from Sefi Carmel and Daniela Rivera at different stages. He plans to eventually transition to Logic Pro but remains focused on the music itself rather than the gear.

Musically, the track draws from a lifetime of influences that the artist describes as “all going into the melting pot to create a new sound.” What sets “Silence” apart is its storytelling: “I guess, for me, the detail is in the storytelling. Too much stuff gets reported on and then forgotten about. Brushed under the carpet. It’s important to keep things in the forefront. If we want to see change.”

After marriage, children, divorce, home ownership, mortgage payoff, selling the house, and a bout with cancer, 50mething’s late entry into music is less a career pivot than a continuation of resilience. “At 58, I have seen a bit of life… And all you can do is keep pushing through,” he says. “I don’t know where I would be without the gym though!!!!”

Silence” is now available on all major streaming platforms via DITTO. More tracks from 50mething’s substantial catalogue will follow throughout 2026.

About 50mething

Born from a life rich in experience and shaped by social conscience, 50mething is an independent artist proving it’s never too late to create. With seventy finished but previously unreleased tracks, he is now sharing his music on his own terms — honest, timely, and unfiltered.

LESS ABOUT THE DROP, MORE ABOUT THE ECHO!

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With Down, Berlin-based producer Fleanger leans into a quieter philosophy of electronic music, one that values what lingers over what immediately lands. The EP unfolds with a sense of ease, drawing the listener into a space that feels suspended between motion and stillness rather than driven by momentum.

Instead of building toward obvious climaxes, Fleanger allows each track to evolve gradually. Sounds emerge, dissolve, and return in slightly altered forms, creating a continuous sense of flow. The rhythmic foundation remains present but understated, acting as a guide rather than a force. This balance gives the music a certain weightlessness, where nothing feels rushed or overstated. There are traces of Lane 8, Ben Böhmer, and Yotto in the melodic language, yet Down feels more introspective, more concerned with depth than direction.

The title track, Down, embodies this approach with quiet precision: a deep, steady bassline anchors the piece, while soft pads and shifting synth lines hover above it. The progression is subtle, almost elusive, creating a feeling of gentle immersion rather than forward drive. It’s a track that invites you to stay within it, rather than move through it.

What ultimately defines the EP is its attention to after-feeling. Fleanger composes with an awareness that the true impact of sound often comes after it fades, in the echo it leaves behind. This gives Down a lingering presence that extends beyond its runtime.

Fleanger offers Down as something to sink into, not chase; and long after Down ends, its echo continues to unfold softly within you..

Album: Open Plains by Runa Viggen

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Oslo-born pianist, composer, and organist Runa Viggen released her sophomore album “Open Plains” on February 12th. Her debut, ambár (2022), earned solid reviews and festival play across Norway and established her genre-crossing approach as something worth paying attention to. For this one, she relocated to Los Angeles, brought in Larry Steen on bass and Chris Wabich on drums, and self-produced the whole thing. The concept is a healing journey – seven tracks framed by “Amaranth,” named for a mythical flower that never fades, and “Rubicon,” meaning the point of no return. Everything in between traces the ground between those two places. The music pulls from jazz, classical, fusion, and progressive rock without fully belonging to any of them, which is very much the point.

This is a musically nutritious album. It’s incredibly harmonically adventurous, and it’s daring in its approach. It’s not a jazz album to be heard in a somber jazz bar; this is, like the name implies, an album like the “Open Plains” – it’s to be experienced with attentiveness and an open heart because it tells such rich stories with a virtuosic sense of melody and harmony. This album is living proof that one can still tell new stories with traditional musical textures, that it’s not necessary to design new sounds to tell new stories. Music in its infinite depth has infinite stories to be told, and one only needs to be truly connected spiritually to it and to the musicians engaged in the same conversation to tell the stories of our lives as they unfold. This spiritual connection to music and the power of improvisation has long been embraced by great jazz musicians, and Runa Viggen continues that trend here.

Starting with “Bury Me Standing” – this tune could be taught in a masterclass about dynamic range in composition. The way the rhythm section accompanies the piano in such a beautifully intuitive yet surprising manner is a beauty to behold. The way it evolves across the tune and the power with which the musicians return to the main head melody is breathtaking and has such intensity and vigor that perfectly complement the harmonic choices of the tune.

“The Tears of My Mother” is not a tune for the faint of heart; it will most likely make you shed some very dramatic tears, but with that being said, I still highly recommend listening to this outdoors, with the blowing of the tears away from your face – that’s at least how I imagine this song is meant to be listened to and that’s how I listened to it though it wasn’t planned. Runa Viggen has such a soft touch on the piano for this song, it’s like the piano was strung with her own heart strings. It’s so sorrowful and mournful, yet reminiscent of simpler times and sweet motherly love. There are so many personal details in here that it feels like every time I listen to the song, it says something new. It’s a truly magical performance, and I feel lucky that it has been recorded and that I get to experience it.

“Rayan” captures the attention immediately with its more playful sense of rhythm. It’s more on the side of jazz-fusion, though with none of the electric elements that are so strongly associated with that genre. The melodies here are more contemporary, with very modern melodic choices. There is so much music here, and it rides that line between carefully crafted moments and others of chemistry-driven improvised sections. The bass solo here deserves a special shoutout for adding to the melodic content tastefully with no unnecessary flash.

“Open Plains” is the kind of album that asks something of you, and pays you back generously if you meet it halfway. Viggen said she wanted to compose without genre constraints, to breathe freely – and that freedom is audible from the first track to the last. With ambár, she announced herself, and with this record, she’s made good on the promise. It’ll be worth watching where she goes from here.

 

 

Harry Bertora Releases “The Great Escape” – OUT NOW!

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Los Angeles, California – Acclaimed guitarist and composer Harry Bertora releases his latest instrumental single, “The Great Escape,” available now on all major streaming platforms. This evocative track invites listeners to step away from the noise of everyday life and immerse themselves in a carefully sculpted sonic landscape where words are unnecessary and emotion speaks volumes.

“The Great Escape” leans fully into Bertora’s signature style of instrumental storytelling. Layered synth textures gently unfold, subtle guitar lines drift in and out, and the production feels meticulously shaped to guide the listener on a slow, intentional journey. Rather than following traditional song structures, the piece develops piece by piece, creating a cinematic, immersive atmosphere that grows deeper the longer one stays with it. The title came first and clearly shaped every element that followed, resulting in a quiet yet profound sense of escape — not loud or over-the-top, but reflective and enveloping.

Harry Bertora comments: “The Great Escape is about creating a space where listeners can step away from reality for a moment and get lost in the emotion of sound alone.”

With a career spanning decades and influences rooted in expressive guitar work and evolving synth exploration, Bertora continues to refine his craft. He proves once again that sometimes less really is more, and that a single well-placed note can carry just as much weight as a wall of sound. “The Great Escape” is not chasing trends or quick hits — it offers something more lasting: a space to pause, reflect, and simply exist within the music.

As noted by Osafo Daniel in Rotate Magazine: “If you’ve ever needed a moment to just tune out the noise of everyday life, Harry Bertora’s ‘The Great Escape’ feels like it was made exactly for that… It’s offering something more lasting, a space to pause, reflect, and just exist within the music for a while.”

B Victorious Defies the Status Quo with Explosive New Single “Crushin’ On You”

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SAN DIEGO, CA – High-octane rock artist B Victorious officially unleashes “Crushin’ On You,” the lead single from his highly anticipated sophomore album, Anywhere But Here. Available now on all major streaming platforms, the track is a sonic explosion of obsession and raw rock-and-roll energy.

The Sound of Pure Attraction

“Crushin’ On You” serves as a high-voltage introduction to the next chapter of the B Victorious evolution. Blending raw, electrifying guitar riffs with powerhouse vocals, the track captures the relentless, heart-pounding pull of attraction.

“We’ve all had that person who completely hijacks your headspace,” says B Victorious. “This song is about that magnetic pull, the kind of feeling where you’re like a moth to a flame and there’s absolutely nothing you can do to stop it. It’s raw, it’s honest, and it’s meant to be played loud.”

The Road to Anywhere But Here

The release of “Crushin’ On You” marks the first milestone in the countdown to the full-length album, Anywhere But Here, dropping April 24, 2026. Following the underground success of his debut, this new project sees B Victorious pushing the boundaries of the rock genre, fusing classic grit with a modern, fearless edge.