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DJ Super Will Drops High-Energy Club Anthem “Midnight Don’t Care”

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While Metro Detroit braces for icy roads and mountains of snow, DJ Super Will is keeping the dance floors warm with his latest club weapon, Midnight Don’t Care.”

Fresh off the wave of his smash fall project Love & Distortion: Reloaded (the expanded reissue of his Love & Distortion EP), the Michigan-based artist and producer returns with another sonically rich, introspective journey built for the dance floor. Blending grounded, introspective lyrics with groovy drum patterns and vibrant, high-energy soundscapes, “Midnight Don’t Care” delivers exactly what the title promises: a track that doesn’t care how you want to feel — it makes you move.

Electropop meets Jersey Club rhythms, all covered in that unmistakable Detroit grit. It’s a record you can connect with emotionally and lose yourself to physically — the perfect anthem for late-night drives, packed clubs, or any moment when the music hits deeper than the surface.

Super Will, known for turning “we’re just grabbing a drink” into “why is this dance floor packed right now?”, continues his reputation as a seasoned veteran of the Midwest music scene. Active across multiple labels and DJ collectives, he brings polished yet approachable energy to every set. His transitions are clean, his presence is high, and his original dance music consistently delivers the party while keeping ego off the stage.

Midnight Don’t Care” is available now on all major streaming platforms and is already making its way into club nights, slope-side sets, and winter festivals across the region.

Stream “Midnight Don’t Care and let the track decide how you feel.

About DJ Super Will

DJ Super Will is a Michigan-based artist and DJ known for blending throwbacks, modern club edits, and original dance music into high-energy sets that keep rooms moving. With experience spanning radio, clubs, private events, and large-scale festivals, he delivers polished performances with a fun-first, ego-last mentality. His growing catalog of 140+ BPM club weapons continues to prove he’s one of the Midwest’s most consistent and creative forces on the dance floor.

Neitam Am Debuts with Emotional Lofi-R&B Single “No Regrets”

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Rising R&B artist Neitam Am makes her highly anticipated debut with the powerful single “No Regrets,” an experimental Lofi-R&B track that blends smooth, atmospheric production with raw, heartfelt storytelling. Released today, the song offers a fresh perspective on love, regret, and healing in a genre often dominated by pain without resolution.

No Regrets” tells the story of a desperate lover who realizes they’ve lost something truly special and desperately wants to make amends. Through powerful, emotive vocals and a lush Lofi-R&B soundscape, Neitam Am explores the vulnerability of owning past mistakes while choosing growth and forgiveness. The track stands out for its lens of “healing” — a perspective the artist hopes to bring more prominently into modern R&B.

The vocal performance draws directly from Neitam’s upbringing as a “church girl” in the Southern United States, where faith in a higher power was a constant influence. She seamlessly weaves that spiritual foundation with the passionate, real-world experiences of love and loss what she playfully calls the “lover boy” inside. The result is a deeply personal yet universally relatable sound that feels both intimate and expansive.

“I wanted to create something that feels honest and healing,” says Neitam Am. “Too often we hear stories of heartbreak without the path forward. ‘No Regrets’ is about owning the mistakes, feeling the pain, and still choosing to move toward something better. It’s my way of adding variety and depth to R&B while staying true to my roots.”

With its warm Lofi textures, subtle grooves, and soaring vocal delivery, “No Regrets” invites listeners into a reflective space where love, faith, and self-discovery intersect. The single marks the beginning of an exciting new chapter for the Southeastern artist, who plans to release more music throughout 2026, leading up to her debut album.

No Regrets” is available now on all major streaming platforms.

About Neitam Am

Neitam Am is an R&B artist from the Southeastern United States whose music blends soulful melodies, Lofi textures, and honest storytelling. Rooted in her Southern faith and life experiences, she creates songs that explore love, healing, and personal growth with emotional depth and musical variety. “No Regrets” is her debut single, with more releases planned leading to her first full album.

50mething Releases Heartfelt New Single “Date Night Tonight”

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Independent artist 50mething continues his remarkable late-blooming music journey with the release of his new single “Date Night Tonight.” The warm, reflective track is a celebration of romance, second chances, and the quiet beauty found in life’s everyday moments after years of challenges and personal growth.

At 58, the former professional dancer and garden builder turned singer-songwriter draws directly from a lifetime of experiences: marriage, children, divorce, homeownership, and a 2024 battle with cancer that he is now happily in remission from. “Date Night Tonight” captures the simple act of getting dressed up, sharing a meal, holding hands, and truly being present with someone special. It’s about choosing joy in the here and now, even after life’s storms have passed. The song gently reminds listeners that the best dates aren’t about grand gestures or perfection — they’re about connection, laughter, and making tonight count.

Recorded in his home studio with the same raw honesty that defines his entire catalogue, “Date Night Tonight” features intimate guitar work, heartfelt vocals, and a production style that feels lived-in and real. As with his previous releases, 50mething handled every element himself before sending the vocal stems through an AI-enhanced process via the SOUNDBETTER platform for final polish — creating a modern yet deeply personal sound that feels like you’re sitting in the room with him.

“This song came from a place of gratitude,” says 50mething. “After everything I’ve been through — the ups, the downs, the health scares — I’ve learned that the best moments are the ones you make with the people you love. Life can pull the rug out from under you, but you can still get dressed up, hold hands, and make tonight count. ‘Date Night Tonight’ is about choosing joy and connection, no matter what came before.”

The single follows his recent socially conscious releases, “Drag Me by the Hair” (a powerful response to the overturning of Roe v. Wade) and “Silence” (a stark reflection on women’s safety). With over 70 tracks in his unreleased catalogue, 50mething continues to share music gradually via Ditto Music, proving that it’s never too late to pursue your passion and speak from the heart. His story — from dancer and gardener to cancer survivor and independent artist — inspires others to keep pushing forward and never give up on their dreams.

“Date Night Tonight” is available now on all major streaming platforms. Whether you’re planning a real date night or simply reflecting on the ones that mattered most, this song is the perfect soundtrack for remembering that love and life can still surprise you in the most beautiful ways.

About 50mething

50mething is an independent artist who turned to music later in life after successful careers as a dancer and garden builder. Having faced marriage, divorce, raising children, and a personal battle with cancer diagnosed in 2024, he channels his life experiences into honest, emotionally resonant songs that address both personal reflection and broader social themes. With a large unreleased catalogue, he releases music gradually via Ditto Music, inspiring others to keep pushing forward and never give up on their dreams. His previous singles include the personal cancer testament “Slowly Through the Night,” the protest track “Drag Me by the Hair,” and the haunting “Silence.”

Great Adamz Teams Up with Manuel Riva for Spiritual Afro-House Anthem ‘Umada’

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UK Afrobeats powerhouse Great Adamz joins forces with internationally acclaimed Romanian DJ and producer Manuel Riva for their electrifying new single Umada.

Blending deep, ritualistic Afro-House grooves with haunting vocal textures and cinematic melodic builds, ‘Umada’ sits at the powerful crossroads of underground African sound and European melodic dance. The collaboration showcases the natural chemistry between Riva’s emotional, club-ready soundscapes and Great Adamz’s rich, expressive delivery — creating a spiritual, groove-heavy track that feels both rooted and transcendent.

Manuel Riva shares: “Collaborating with Great Adamz felt organic — his voice became part of the track’s identity from the very first take.”

Great Adamz adds: “‘Umada’ is a very interesting record that really challenged me as an artist. Collaborating with Manuel Riva helped me deliver a versatile range I have never obtained before. The song is very centric and spiritual, filled with melodies and grooving beats. You will dance to it, laugh with your friends to it, road trip to it, and it will become part of your life routine.”

The release arrives at a huge moment for Great Adamz, who is currently sitting at No.1 on Music Week’s Black Music Chart with his hit ‘Jeje’. As a MOBO Unsung Class of 2022 alumnus, he continues to rise as one of the UK’s brightest Afrobeats voices, with past collaborations including the standout track ‘Kilon So’ and major festival performances.

Manuel Riva is a Billboard-charting producer whose releases have amassed tens of millions of streams worldwide. His breakout hits ‘Mhm Mhm’ and ‘Miami’ (with Alexandra Stan) became global dance anthems, earning MTV Europe Music Awards recognition and support from Tiësto, Oliver Heldens, Sam Feldt, and Fedde Le Grand.

Umada’ is available now on all major streaming platforms.

Stream ‘Umada and let the groove take over.

About Great Adamz

Born Great Adamatie in Warri, Delta State, Nigeria, Great Adamz is a UK-based Afrobeats star known for his signature sound, captivating vocals, and positive energy. With accolades including Golden Star Artist of the Year (Diaspora), MOBO Unsung Class of 2022, and multiple No.1 iTunes Nigeria hits, he continues to make waves with authentic storytelling and infectious grooves.

About Manuel Riva

Manuel Riva is a Billboard-charting Romanian DJ and producer who has become a defining voice in melodic and deep house. With global hits, festival headline sets, and support from the world’s top DJs, his emotional, club-ready productions have earned tens of millions of streams worldwide.

AC Scott Releases Stripped-Back Cover of “The Ballad of Lucy Jordan”

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Former broadcaster and now breakout singer-songwriter AC Scott (Alison Craig) releases her haunting, piano-led version of the classic “The Ballad of Lucy Jordan.” The track serves as a heartfelt tribute to Marianne Faithfull, who passed almost one year ago, and marks the first taste of Scott’s highly anticipated debut album, due February 2026.

The song has lived with Scott for decades. She first heard Marianne’s version while driving and was so moved she had to pull over in tears. “It was a solar plexus punch,” she recalls. “That voice, those 70s synths, the gut-wrenching sadness… I’ve carried Lucy Jordan with me ever since as something perfect.”

Respectful of the original’s power, Scott chose not to imitate but to reinterpret. Her version is intimate and stripped-back — just her voice and piano — capturing the same emotional weight while making the song feel deeply personal. After sending it to industry veteran Kate Hyman (who knew Marianne well), the response was immediate: “She loved it.” Mastered by Kevin Salem, the track now enters the world with the hope that new listeners will discover Faithfull’s iconic recording through Scott’s version.

From a high-profile broadcasting career (Sony Award winner, prime-time TV and radio across Scotland, interviews with Bryan Ferry, Victoria Beckham and more) to a life-changing diagnosis of LAM in 2012 that collapsed her lungs and ended her on-air work, music became Scott’s lifeline. After writing her first song in 2023, she has poured out hundreds more. Unable to fly, she sailed across the Atlantic and drove coast-to-coast to collaborate with Emmy-winning producer Andrew Rollins, echoing Bowie’s own transatlantic crossings.

“This song is part of my growing up and realising that everything in the world is not as it seems,” says Scott. “Music has given me my life back. I’m living every day as if it were my last.”

The Ballad of Lucy Jordan” is available now on all major streaming platforms.

About AC Scott (Alison Craig)

AC Scott is a singer, songwriter, and storyteller from Aberdeen, Scotland. A former award-winning broadcaster, she turned to music full-time after a serious lung condition forced her off the air. Mentored by industry icons including Kate Hyman, she creates soulful, melodic songs influenced by blues, spoken word, and raw emotion. Her debut album arrives in February 2026.

Larry Mossburg Releases Smooth Hip-Hop Single “Everyday”

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Columbus artist Larry Mossburg is making waves with his latest original single, “Everyday,” a smooth, feel-good hip-hop track that gives listeners an honest look into the highs and lows of daily life. Released today, the song blends storytelling with positive connections and infectious energy, proving why Mossburg is quickly becoming a rising name in the scene.

Working alongside collaborators, I, the MC, and the producer, Larry crafted “Everyday” around a beat style that shaped his lyrics, flow, and rhythm. Inspired by daily spins of Jet Life and Taylor Gang, the track captures the rhythm of the week and weekends — the grind, the moments of joy, and everything in between.

The recording took place at a friend’s high-end studio in Ohio, where a unique hybrid approach combined modern digital workstations with outboard analog gear to deliver a warm, textured, and rich sound. The result is a polished yet organic vibe that pulls listeners right into the room.

Everyday” stands out through its combination of authentic storytelling and positive connections that genuinely engage the audience. With a homecoming show planned in Ohio this summer, Larry Mossburg is set to bring that same infectious energy to the stage.

A few early listeners have already called it “his best song yet,” and the artist is proud of the final result. As he puts it, the track is all about real life — and the simple truth that we’re all just trying to make it through the days with a little heart and hustle.

Everyday” is available now on all major streaming platforms.

About Larry Mossburg

Larry Mossburg is a Columbus, Ohio-based hip-hop artist known for his smooth delivery, relatable lyrics, and positive outlook. Drawing from everyday experiences and influences like Jet Life and Taylor Gang, he creates music that feels both personal and universal. With a growing catalogue and live shows on the horizon, Larry is poised to make a lasting impact in the hip-hop world.

AN INTIMATE PORTRAIT OF FEAR AND BECOMING

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Memory rarely arrives in clean lines. It flickers, overlaps, and lingers in fragments. “Tapestry,” by Fish And Scale, leans into that fluidity, unfolding like something half-recalled yet deeply felt.

“Sometimes when the rain falls into my heart / and fragments of the past covering up my mind,” the opening immediately dissolves any sense of distance. What follows isn’t just storytelling, but immersion. The listener is placed inside a child’s perspective, moving through “long corridors” and “white robes, clean and glaring,” where fear feels both vast and undefined.

Yet the song resists staying in that darkness. It shifts, gently but meaningfully, toward the small details that make survival possible. A single image, “a tiny yellow dog on the wallpaper,” holds an unexpected weight. In that moment, imagination becomes refuge, and something as simple as color interrupts the sterility of the space.

There’s a similar patience in the music itself. Acoustic textures and piano lines unfold with restraint, allowing each phrase to breathe. The gradual expansion into a fuller sound doesn’t feel like a dramatic shift, but rather an emotional release that has been quietly building all along.

The vocal delivery remains understated, carrying lines like “Am I good enough, am I worthy, would you comfort me?” with a sincerity that avoids excess. Even the more unsettling moment, “Hey, guy, you will be next,” is delivered almost softly, which makes it linger even longer.

What stays with you is not resolution, but transformation. “Patterns of bold and color, serene” suggests a subtle reshaping of experience, where fear and comfort begin to coexist. Through “Tapestry,” Fish And Scale turns a personal memory into something quietly expansive, less about overcoming, and more about learning how to carry what remains..

SOFT GROOVES AND SLOW BURNS

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There’s a quiet confidence in the way Attack the Sound shape “Can’t Stop Loving You,” a song that refuses to rush itself, choosing instead to unfold with patience and intention. The track invites you inward, building its atmosphere gently, letting each note breathe, and allowing the feeling to arrive on its own terms.

A delicate piano line opens the space: subtle, almost weightless; before a steady groove settles beneath it. Nothing feels forced. The rhythm doesn’t push forward; it sways, creating a sense of intimacy that feels both relaxed and deeply present.

The vocal dynamic is where the track truly deepens. Davo Sounds enters softly, carrying a tenderness that feels intentional, almost careful in its delivery. Then Lauren “Lo Keyz” Bell joins: fuller, warmer, adding depth and contrast. Together, they move between harmony and conversation, occasionally echoing each other, occasionally meeting in moments that feel effortlessly aligned. When they converge on the chorus, the blend feels seamless, like two currents flowing into one.

The arrangement remains restrained in the best way. Gentle guitar textures flicker in the background, while the rhythm section holds everything in a slow, steady sway. There’s a sense of space throughout: nothing overcrowded, nothing competing, just a carefully balanced atmosphere that allows the song’s emotional core to remain front and center.

The track leans into sensory imagery, drawing from the language of taste and craving to express something deeper about attachment and desire. It’s a clever approach, but more importantly, it feels effortless. The metaphors don’t overpower the song; they melt into it, adding a layer of warmth and relatability.

Attack the Sound leave you suspended in the afterglow of “Can’t Stop Loving You.” Something smooth, understated, and quietly addictive..

QYMIRA RELEASES CAPTIVATING MUSIC VIDEO “SHADE OF MY SHADOW”

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Qymira invites audiences into a spellbinding new chapter of her creative universe with the release of her latest single and music video, “Shade of My Shadow,” via QiiA Media. The luminous orchestral piece serves as the official theme from the forthcoming feature film Shadow Transit, in which Qymira stars as Celeste—her first leading film role and her debut as both actress and film score composer.Shade of My Shadow” is a sweeping cinematic journey through memory, emotion, and transformation.
Written and composed by Qymira with celebrated musical director Richard Taylor (Boyzone, Westlife, Ronan Keating), the track was performed with the Qymira Symphony Orchestra. It masterfully blends orchestral grandeur with moments of quiet intimacy, mirroring Celeste’s search for truth within the shadows of her own soul.
The gripping high-stakes action-noir Shadow Transit has been officially selected as one of the closing films under QC Selects at QCinema International Film Festival, Asia’s largest international film festival. The film receives its world premiere in the Philippines on 22 November, followed by its UK premiere in March 2026.
Directed by Pedring Lopez, Shadow Transit stars Qymira as the mysterious Celeste, alongside Yoshi Sudarso. The production is poised for international acclaim with its sleek visuals, emotional depth, and powerful musical identity crafted by Qymira herself.
In conjunction with the festival, Qymira has been invited as a guest speaker for the prestigious panel “Actresses as Agents of Change – Women in Front of the Camera Leading the Narrative,” underscoring her advocacy for women’s empowerment and creative leadership in the arts.
The release of “Shade of My Shadow” perfectly coincides with QCinema’s promotional campaign, offering audiences an exclusive first glimpse into the world of Shadow Transit ahead of its cinematic debut.
Qymira is a force of nature whose artistry fuses orchestral grandeur with dark urban allure. Born in Hong Kong and raised in San Francisco, she is classically trained in piano, violin, and voice. Her passion for orchestral music flourished when she became the first violinist in the UK National String Academy during her teens. She channels her diverse cultural roots into immersive, genre-bending productions where fantasy and reality collide.
Her breakthrough came with the debut single “Satisfied” (EEDB Remix), which soared to No. 1 on the UK Music Week Breakers Chart. She has since dominated international charts with hits including “Boom Bang Bang,” “Wait For No One,” and “Give It To Me,” the latter sparking a major collaboration with Brazilian artists and multiple No. 1 radio hits in Bahia. Qymira has conducted members of the Hong Kong Philharmonic, Guangzhou Symphony, Philippine Philharmonic, and Manila Philharmonic Orchestras for live recordings of her original orchestral works. Her productions are performed worldwide by the Qymira Symphony Orchestra, a collective of top-tier symphony and philharmonic musicians from across the globe.
Beyond music and film, Qymira is affectionately known as “Mother Gaia” through her philanthropic work. She founded the One Gaia Foundation to support and connect children in need, empowering young people through music, arts, and sports across the Philippines, Hong Kong, Jamaica, and Brazil. Initiatives include donating tablets for remote learning during the COVID-19 pandemic, rebuilding schools after typhoon Odette, providing medical supplies and accommodation at Everlasting Hope cancer centre in Cebu, hosting feeding programs and dance initiatives for homeless children in Binondo, and collaborating with the PWD community in Mindanao. One Gaia is currently launching ten new initiatives in music, arts, and sports, with the One Gaia Stage Quest (formerly One Gaia Singing Souls Contest) now in its fourth season and open for auditions in the Philippines.Shade of My Shadow” is now available on all major streaming platforms. The official music video premieres alongside the single.
About Qymira
Qymira is a multi-faceted, genre-blending artist and the inspiration behind a first-of-its-kind 3D multimedia universe. A sophisticated star who has graced the covers of Fame Magazine, Surrey Rocks, and Revamp Magazine, she has also been featured in Wonderland, Irish World, Belfast Times, and the Yorkshire Evening Post. She conducts her own compositions and leads the Qymira Symphony Orchestra in performances of her original orchestral works around the world.
About the One Gaia Foundation
Founded by Qymira, the One Gaia Foundation empowers children in need through music, arts, and sports. Active in the Philippines, Hong Kong, Jamaica, and Brazil (with forthcoming expansions into India and Africa), One Gaia provides platforms for young talents to shine under the guidance of world-class mentors. The foundation’s work includes disaster relief, educational support, medical aid, and community-building programs that foster creativity and opportunity for the next generation.

In the City: Cathleen Ireland Reclaims the Groove Between Survival and Soul

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Cathleen Ireland’s In The City operates in a space that has long been central to Black popular music’s evolution — the intersection of groove, storytelling, and emotional truth — even as it pulls from a broader contemporary pop palette. What she’s chasing here isn’t just a sound; it’s a feeling. And more specifically, it’s the feeling of reclaiming rhythm in a life that’s been out of sync.

The album’s title track sets the tone with an urban sensibility that feels rooted in experience rather than imitation. “I’ve been feeling without soul / And the city lights revive me,” Ireland sings, and that word — soul — carries weight. Not just as a genre marker, but as a condition. The groove is clean, built on a steady bass line and crisp percussion that nods toward R&B without fully committing to its conventions. It’s polished, but not sterile. Ireland understands that groove isn’t about complexity; it’s about feel.

Across the album, she navigates a series of emotional states tied to movement — physical, psychological, and social. “Strategic” slows things down, leaning into a more intimate R&B framework. The track explores vulnerability with a measured touch. “No need to be strategic,” she insists, though the arrangement itself suggests careful control. It’s a tension that reflects contemporary relationships: the desire for openness colliding with the instinct for self-protection.

What Ireland does particularly well is shift between outward energy and inward reflection without losing cohesion. “Coastin’” is the album’s release valve. Where the title track is about re-engaging with the world, “Coastin’” is about finding equilibrium within it. The groove is relaxed, almost understated, allowing her to sit comfortably inside the rhythm. “I’m thankful, grateful, I’m so blessed to be here,” she repeats — a line that, in lesser hands, could feel like filler. Here, it reads as affirmation shaped by experience. She’s not selling happiness; she’s documenting it.

 

“Breathe” is where Ireland’s voice takes on a sharper edge. The song addresses the pressures placed on women navigating work, identity, and expectation. The refrain — “You got this, girl” — operates as both encouragement and necessity. There’s an urgency in the beat that contrasts with the album’s otherwise measured pacing, giving the track a sense of purpose that cuts through the polish.

By the time “Proud of Me” closes the album, Ireland has moved from external validation to something more internal, though she leaves that transition unresolved. “I just wanna make you proud of me,” she sings, the ambiguity of you left intact. It’s a fitting conclusion for a record that’s less about answers than about process.

In The City doesn’t reinvent the vocabulary of pop or R&B, but it doesn’t need to. Ireland’s strength lies in her ability to synthesize familiar elements into something coherent and personal. She understands groove as foundation, not decoration. She understands emotion as structure, not accessory.

And in a landscape often driven by excess, that clarity feels like its own kind of statement.

–George Nelson