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PEARL unveils starry new single ‘Orbit’

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Boasting a delicate but powerful alt-pop mix of classically trained vocals and intricate synth design, British singer-songwriter PEARL has become a steadily rising star, acclaimed by esteemed publications for her world-building abilities and rich atmospheres. Also supported by Spotify’s Fresh Finds editorial playlist series, PEARL’s descriptive lyrics are captivating fans and tastemakers.

Hot on the heels of the recent new era set in motion by the seductive single ‘Body Parts’, PEARL has now unveiled the glittered energies of ‘Orbit’. As she expands on the sounds first introduced in ‘Body Parts’, PEARL creates a balance of angelic vocal arrangements and a natural feel in her delivery. 

As the track opens with swirling pads and percussive waterfalls, PEARL’s voice becomes a glorious centrepiece. The track puts her on a pedestal of pounding drums and shimmering pop energy. A supernova of a performance, PEARL celestial presence glides through an familiar yet otherworldly arrangements, which will no doubt further excite her supporters as her release schedule seems to ramp up.

PEARL reflects on the track, sharing “They’re the centre of your universe, but they won’t let you in. Orbiting around their mental health, they keep you at arms length. You’re not going anywhere, you wait for them to let you into their world. Orbit’ is an upbeat and synthy declaration of love and steadfastness in the face of difficult times.”

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MOLTENO shares boundless single ‘Clouds’

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With support emerging across the tastemaker platforms of radio, press and playlisting alongside the live scene, MOLTENO’s dreamy electronic alt-pop is constantly enticing new industry fans. Hailing from East London, MOLTENO has collaborated with the likes of Longshaw Ward, Eirinn Hayhow and visual artists to bring her ethereal colour palette to a unique visual style. She’s also performed at Camp Bestival, Fractalight Festival Of Light and Camden Assembly and headlined The Love Shack in her home city.

Capturing a gorgeous sense of magic with each word she utters, MOLTENO’s new single ‘Clouds’ is a gorgeous showcase of her talent. Energised percussive breaks drive vast swells of fuzzy synths, whilst ethereal pads decorate the high frequencies with delicate feedback pulses. Blending a futuristic essence that feels hazy and cold with a sense of warmth and personality, ‘Clouds’ seems to flow from section to section, moving more gently from verse to chorus, whilst steadily and subtly rising to a climax of expansive arrangement and boundless vocal layers. Feeling so close, yet so distant, it’s these constant emotional juxtapositions that make the songwriting so alluring, it’s mystical and familiar, unattainable yet immediate.

MOLTENO reflects on the track, ”With ‘Clouds’, I wanted to explore the potential of feeling connected with others, even those we’ve lost, by immersing ourselves in nature. I started writing it in the middle of the night when the rest of the house was out, I think that space between awake and dreaming seeped into the song.”

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La7ali by Yal Solan

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In our whirlwind lives, sometimes we desperately need some time alone to avoid getting swept away. Yal Solan expresses this essential feeling with stunning poetry and an ethereal soundscape in her release, “La7ali.”

Lebanese artist Yal Solan wears many hats – singer, songwriter, poet, graphic designer, and fashion model.  While her talents are undeniably diverse, “La7ali” showcases a deeper strength: her ability to embrace solitude and find beauty in self-discovery.  This warm and haunting single serves as an invitation to slow down and escape the relentless pace of modern life.

“La7ali” Yal’s first song fully sung in Arabic with smoothly combined poetic English narration. In collaboration with Bachar Mar-Khalife‘s Paris-based label Balcoon, Yal draws on her diverse talents to craft a soundscape of pure serenity. Their collab transformed solitude from a mere necessity into a beautiful escape.

It’s a mesmerizing experience from start to finish. The hypnotic melody is built with enchanting Eastern instruments, the lyrics are beautifully crafted poetry, and the vintage music video adds a touch of timeless charm. But the true star of the show is Yal’s voice. Her vocals are captivating – endearingly sweet and divinely smooth – drawing you in from the very first note. Every word she sings seems to resonate deep within the soul.

The music of “La7ali” weaves a spellbinding atmosphere with its soulful, oriental composition. The use of the Qanoun, a rarely heard instrument these days, adds a distinct and soaring layer to the melody, beautifully complemented by the passionate violin.

The music video perfectly complements this mood, transporting viewers to a fantastical realm of solitude. Exquisite details in the costumes, accessories, dance, and lighting create a visual feast that celebrates the beauty of finding peace within oneself.

“La7ali” struck a deep chord with me. As someone who values solitude, the song’s message truly resonated. Musically, it’s a rare gem! You don’t often hear music so beautifully crafted these days. Needless to say, it’s going to be on repeat for a while.

Press play and enjoy the tranquillity of this sonic blessing!

Sophisticated and Moving: Bonnie Milne’s “Stolen Night Sky”

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“Stolen Night Sky” by Bonnie Milne (out on May 10th) presents a captivating addition to the world of classical music, showcasing her exquisite skill as both a composer and pianist. This piece, enriched by a unique assembly of talented musicians, emerges as a poignant musical narrative that draws listeners into its atmospheric depth.

The track commences with the gentle, melodious tones of Milne’s piano, evoking the expansive and ethereal imagery its title suggests. The Bosendorfer piano’s rich, resonant sound is captured flawlessly, providing a perfect foundation for the rest of the ensemble. As the piece progresses, it’s clear that Milne has crafted a composition that leverages the strengths of her guest artists while maintaining a coherent and moving musical storyline.

Dave Hewitt’s percussion introduces an intriguing layer of complexity to the piece. His playing, known for its tasteful and dynamic approach, enriches the texture of the music, adding a rhythmic pulse that complements the piano’s melodic flow. This element of percussion is a notable departure for Milne and serves as an effective enhancement to her already dynamic compositional style.

Kevin Fox on cello and Shane Guse on violin (or fiddle) contribute lush counter-melodies and harmonies that weave seamlessly with Milne’s piano. Their strings elevate the emotional impact of the track, adding a depth that resonates with a haunting beauty. The interplay between the strings and the piano, punctuated by thoughtful percussion, creates a rich tapestry of sound that mirrors the complexity and beauty of a night sky.

The production by Nixon Boyd ensures that each element of the composition is given space to breathe and resonate, capturing the grandeur of the performance setting—the St. Paul’s Centre in Orillia. The acoustic qualities of this venue add to the track’s atmospheric quality, enhancing the natural beauty of the instruments.

Complementing the audio, the video directed by Anne Douris and shot by Mathew Waring offers a visual representation that aligns with the composition’s theme. The imagery likely enhances the track’s dark yet illuminative theme, providing a visual experience that mirrors the auditory one.

Overall, “Stolen Night Sky” stands out as a sophisticated and deeply moving piece of music. It is a testament to Bonnie Milne’s growth as a composer and her ability to collaborate effectively, pushing the boundaries of her classical roots into new, enriching territories. For aficionados of classical music and newcomers alike, this track offers a reflective, beautifully orchestrated listening experience that showcases the power of classical music to evoke deep emotional landscapes.

I Feel So Good Today (Happy Mix) by DPB

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DPB (David Paul Brooks) continues to blaze a trail in the Christian hip-hop and rap scene with his invigorating new single, “I Feel So Good Today (Happy Mix).” This track radiates positivity and an infectious energy that is emblematic of DPB’s signature style, blending gospel messages with upbeat rhythms and relatable lyrics.

The single shines with an effervescent charm, featuring lyrics that are both catchy and meaningful. The opening lines, “Welcome to the good life / Don’t you want to see what it be like,” set a tone of invitation and introspection, prompting listeners to envision a life uplifted by faith and positivity. DPB‘s message is clear and impactful, focusing on empowerment and the spiritual upliftment that comes from a relationship with Christ, referred to as “the tree of life” in his lyrics.

Musically, “I Feel So Good Today (Happy Mix)” is built on a vibrant beat that compels movement and expression. The production is polished, with a sound that’s both modern and accessible, making it a likely candidate for wide appeal not only within Christian music circles but also in mainstream settings. DPB‘s flow is confident and dynamic, effectively conveying his message without sacrificing the song’s musical integrity.


The chorus, “I’m up when I’m down / I ain’t got time to frown / I feel so happy,” is particularly memorable. It encapsulates the song’s theme of resilience and joy, regardless of circumstances. This hook is likely to resonate with listeners, offering a musical mantra of positivity that can be applied in various life situations.

Moreover, DPB’s lyrical skill shines as he mixes metaphors and contemporary references into his message. Lines like “cooking this beat; I’m Bobby Flay’ing” and “circle of life like a Cheerio” not only add a touch of humor but also keep the track grounded and relatable, bridging gospel themes with everyday experiences.

“I Feel So Good Today (Happy Mix)” stands out as a beacon of positivity in a genre that is already uplifting by nature. DPB continues to leverage his musical talents to foster a sense of inner peace, joy, and victory over adversity. This track not only entertains but also ministers, aligning with DPB’s mission to create music that serves as “Innerchangement.”

In summary, DPB‘s “I Feel So Good Today (Happy Mix)” is a testament to his continued evolution as an artist who can adeptly combine faith with the universal appeal of hip-hop and rap. This song is a joyful celebration of life’s possibilities when viewed through the lens of faith and positivity, making it a valuable addition to the playlist of anyone looking to uplift their spirits and reinforce their resolve.

Hare Hare Dance by Love Power the Band

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With their latest single “Hare Hare Dance,” Love Power the Band, led by the vibrant Ananda Xenia Shakti, continues to explore the synthesis of musical joy and spiritual depth. Released as part of the two-sided single “Songs From Source,” this track stands as a testament to the transformative power of devotional music, repackaged into an infectious modern dance number.

“Hare Hare Dance” is a jubilant celebration of the mantras of the Hare Krishna movement, with lyrics that repetitively invoke the names of the divine in the tradition of Bhakti yoga. The track is drenched in spiritual ecstasy, turning sacred chants into a danceable groove that aims to uplift the spirit and move the body. It’s an interesting musical experiment, where the age-old mantras meet the pulsating rhythms of contemporary dance music, creating a bridge between the ancient and the modern.

Ananda Xenia Shakti’s vocal delivery is energetic and devoted, perfectly capturing the celebratory and communal atmosphere of Krishna’s birthday celebrations in Vrindavan, where the song was recorded. This setting seems to have infused the track with an authenticity and fervor that might be hard to replicate in a less inspired environment. The background arrangement is minimal yet effective, allowing the mantras to resonate clearly, driven by a compelling beat that encourages the listener to move and engage with the music physically.

The production on “Hare Hare Dance” is slick, with each element crafted to support the communal and interactive nature of the song. The repetitive structure of the lyrics, while potentially monotonous in a less skilled execution, here serves the purpose of deepening the meditative and trance-like state that dance can induce. This effect is heightened by the looped chanting of “Krishna Radhe Krishna Radhe,” which adds a hypnotic quality to the track, drawing the listener deeper into the devotional experience.

What sets “Hare Hare Dance” apart is its unapologetic embrace of both its spiritual roots and its contemporary ambitions. It is a bold piece of music that seeks to not only entertain but also to enlighten, bringing the listener into a state of joy and spiritual awareness through the medium of pop music. This aligns with Ananda Xenia Shakti’s artistic vision of using music as a tool for transformation and celebration of life.

In conclusion, “Hare Hare Dance” by Love Power the Band is a radiant example of how music can serve as a vehicle for spiritual expression and communal joy. It is a track that might not only appeal to fans of devotional music but also to those seeking an uplifting dance experience with a deeper meaning. In a world where music often leans towards the secular, Love Power the Band reminds us of the power of songs to unite, inspire, and elevate the human spirit.

3 Days by Lady Redneck

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Lady Redneck‘s latest single “3 Days,” released on Good Friday 2024, marks a significant pivot from her usual high-energy, tongue-in-cheek style to a more reflective and profound thematic exploration. Drawing inspiration from the Christian narrative of Christ’s crucifixion and resurrection, Lady Redneck ventures into a deeper spiritual and musical territory, intertwining her country roots with a message of faith and renewal.

Musically, “3 Days” is elegantly composed, featuring a blend of traditional country instrumentation and subtle modern influences that complement the song’s solemn theme. The acoustic guitar and soft percussion lay a foundation that allows her vocals to resonate with clarity and emotion. The arrangement is careful not to overshadow the lyrics, which are the heart of the track, delivering a powerful narrative of sorrow turned into joy.

The lyrics of “3 Days” are poignant and evocative, capturing the essence of the Easter story with vivid imagery and heartfelt emotion. Lines like “As precious drops of the sweetest blood drip down a Savior’s face” and “Three days of sorrow now rejoicing” reflect a deep reverence for the subject matter. Lady Redneck’s delivery is earnest and passionate, effectively conveying the weight of the sacrifice and the triumph of the resurrection.

A key strength of the song is its ability to appeal to both Christian music enthusiasts and country music fans. While firmly rooted in Christian themes, the track’s accessible melody and universal message of hope and transformation have the potential to resonate beyond its core audience. This crossover appeal is a testament to Lady Redneck‘s versatility as an artist and her ability to connect with listeners on multiple levels.

In terms of impact, “3 Days” stands out as a significant work in Lady Redneck‘s discography, showcasing her growth as a songwriter and her ability to tackle complex themes with sensitivity and insight. The strategic release of the song on Good Friday enhances its relevance and poignancy, making it a timely reflection on themes of sacrifice, redemption, and renewal.

Overall, “3 Days” is a compelling addition to the Easter season’s musical offerings, beautifully blending spiritual depth with musical craftsmanship. It is a reminder of Lady Redneck‘s unique place in the music world, where she continues to innovate and inspire with songs that touch the heart and stir the soul.

The Day that I Found You by Zach McKenzie

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In his latest single, “The Day that I Found You,” Zach McKenzie delivers an impassioned ode to the transformative power of love, woven with threads of soul, gospel, and his Southern roots. Released on March 29, 2024, this track marks another profound entry into McKenzie’s growing discography of emotive music.

From the very first notes, McKenzie captures the listener’s heart with a series of “na na na”s that instantly embed themselves as a joyful refrain. The song is built around a simple yet captivating melody that serves as a canvas for his potent vocals. McKenzie’s voice, a rich blend of controlled power and tender vulnerability, navigates through the verses and swells into a chorus that is both anthemic and intimate.

Lyrically, “The Day that I Found You” engages with a heartfelt sincerity that resonates deeply. The lyrics, “The day that I found you / Was the day my life got started / I was never broken hearted,” speak to a universal longing for connection and the joy of finding ‘the one.’ The imagery of waking up to sunshine and seeing dreams come true encapsulates a sense of hope and renewal that many seek in relationships.

The production of the track is polished, with a balanced mix that allows McKenzie’s voice to shine while supporting it with a robust musical arrangement. The subtle inclusion of gospel elements through background vocals and organ fills lends a spiritual dimension that enhances the soulful foundation of the song.

Overall, “The Day that I Found You” is a compelling showcase of Zach McKenzie’s evolving artistry. It encapsulates his ability to blend different musical influences into a cohesive sound that is distinctly his own. This song is not just a testament to his vocal prowess and songwriting skills but also a declaration of his deep understanding of the emotional spectrum that music can evoke.

For fans of heartfelt, soul-stirring tracks that resonate with genuine emotion, “The Day that I Found You” is a must-listen. It promises to be a staple in playlists where the themes of love, hope, and joy are cherished, and it further cements Zach McKenzie’s place as a noteworthy artist in today’s music scene.

Seymour releases fierce new single ‘Voicenote Monologue’

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Reflecting on difficult experiences through heartfelt introspective songwriting, Seymour brings together influences of indie, rock and jazz, creating atmospheres that entice with a unique sound. Writing and performing from the age of sixteen, the artist has developed into a powerful storyteller, showing young women that they deserve to speak their truth freely, without judgment.

Seymour’s most recent single is the mystic bleakness of ‘Voicenote Monologue’. Opening with reverberant, gorgeously layered guitar chords, each layer of instrumentation is added so subtly that you don’t immediately notice it. A swell of bass, a gentle arpeggio a distant echo, all lead us to an emotive chorus in which Seymour lets loose with her emotions, ditching the reserved personality for a raw and agonised performance. As the track switches between rising out of the darkness and diving deeper into it, listeners are pulled about by the passion, feeling everything the artist feels as the boundaries are broken down and the vocals cry out into the distortion. It’s a powerful ballad with just the right amount of overdriven grit.

The artist speaks on the track, ”The song talks about my experience with a friend who I had spent years opening up to and supporting only to find out they’d been talking about my private life to other people. The lyrics discuss how I felt betrayed yet stupid for falling for their years of manipulation and how much I regretted all the energy I had spent supporting them over the years. The song builds in the bridge to show the cathartic feeling of knowing I was free of this friendship that wasn’t real, and the quiet ending suggests how I’ve let go of the hurt and how I’m moving on from the situation. The drum and bass parts were recorded live in Strongroom studios by my friends Leah and Maz and another friend, Kav was my recording engineer. Patch Chiverton, a close friend of mine produced and mixed this song which made it the powerful cathartic song it is and another close friend AJ Ruiz was my master engineer.”

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Posey shares glittery grooves of ‘SO SWEET’

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Writing her energetic pop songs about ex-boyfriends and one too many situationships, London artist Posey takes inspiration from the likes of Dua Lipa, Lily Allen and Olivia Dean. Releasing two singles across 2022 and 2023, ‘Not A Long Song’ and ‘YOU’RE A…’, Posey showcased a blend of glittery modern sensibilities and 2000s pop nostalgia.

Now, the singer-songwriter has returned with a new track ‘SO SWEET’. Pulsating synths and the confident lead vocal are our first introduction to the track, though it quickly builds through rhythmic, four-to-the-floor drums and rich electric guitar chords. By the time the chorus rolls around, listeners are drenched in a gorgeous sunny atmosphere, with Posey introducing vocal chops and layers of harmony above the sleek grooves of the instrumentation. With infectious melodies from start to finish, it’s a great addition to a party playlist as summer comes over the horizon.

Posey explains the meaning behind the track, sharing, SO SWEET was written about that overwhelming/all-consuming/innocent first crush; one that drives you wild, that you can never take your mind off  and makes you act silly with puppy love. We tried to capture the happy nostalgia through very summery, vibes as created by the coolest, edbl who produced the track. He put his signature groovy/funky sounds and brought it to life so it feels so playful yet snazzy! I absolutely love this song and am so so proud of it!”

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