The second release from Toronto-based rockers Carbon Memory, entitled “Tourist”, is a 5 track EP that feels like a journey through space, time, and the spectrum of rock music. The first track “Distance” starts the record off with solid drum work and melodic guitar. The bass is audible throughout the song, courtesy of the world-class recording production quality this album has.
My favorite section from this song has definitely got to be the fast-paced ending, which feels like the band was just jamming and went with the vibes and hit record. The second track, “The Only One”, has some acoustic guitars and piano accompanying its main melody. Not just that, it had an animated music video, which was one of the most beautiful and artistic projects the band has ever made. There is a section in the middle of the song where everything calms down before it picks up again.
It will either make you feel lost in space, or on an acid trip. It fits that famous Breaking Bad scene where Jesse Pinkman was floating above his bed. Solid bass and drum work gave the song the correct foundation for its melodies to soar that high. The third track, “Closure”, had a more funky style to it and its guitars are very similar to those of the classic Pink Floyd album The Wall. In its midsection, the guitars become calmer, and the vocals and drums take the lead. Following that is an outro solo with a “wah wah” pedal. The fourth track “Tonight”, is straightforward Alternative Rock with some Classic Rock elements and some of the best-sounding guitar work I’ve ever heard. These guys must have spent a lot of time with their instruments to sound this masterful.
The last minute of the song has a brief guitar solo, high-belted vocals, and a powerful overdrive on the guitars. The fifth and final track, “Rumours”, sounds like Oasis meets The Beatles. It’s mellow and mid-tempo, based around the main piano melody and the guitars only appear after 2 minutes have passed. It completes the feeling of the space-opera scene that was already planted in my mind. I love the backing vocals and layering and how ethereal they make the track’s second half sound. The bass sounds thick and heavy, although it’s clean, and the song ends with a beautiful fade-out. This record didn’t feel like 5 tracks at all, and the story of the space-voyager it tells is nothing short of brilliant. As coherent and cohesive as the record was, it felt like it was a play-it-safe ordeal. And while there’s nothing wrong with that, I hoped I could experience some more experimental moments.
The simplicity of the record doesn’t take away from its enjoyment though, you will have multiple listens to these tracks and especially “The Only One” and “Rumours” which are both modern classics on their own.